The Sisters Brothers
Commodore
Rutger Hauer
Rutger Hauer
Rutger Hauer Movie Reviews
Samson
Manoah
The Letters
Benjamin Praagh
Dracula 3D
Abraham van Helsing
The Mill and the Cross
Pieter Bruegel
Bride Flight
Older Frank
The Rite
Istvan Kovak
Batman Begins
Earle
Confessions of a Dangerous Mind
Keeler
Simon Magus
Squire
Blade Runner: Director’s Cut
Roy Batty
Wanted: Dead Or Alive
Nick Randall
The Hitcher
John Ryder
The Osterman Weekend
John Tanner
Blog Posts That Mention Rutger Hauer
Features
A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)
Tributes
Richard Donner: 1930-2021
Festivals & Awards
Preview of Film at Lincoln Center’s Horror Festival, Scary Movies XII
Features
Mysterious Traveller: Rutger Hauer, 1944-2019
Features
Nicolas Roeg, 1928-2018
Interviews
A Universal Story: Rutger Hauer on Samson
Features
Tears of a Machine: The Humanity of Luv in “Blade Runner 2049”
Features
Bright Wall/Dark Room April 2017: “Flesh & Emptiness, or 42 Ways of Looking at Paul Verhoeven” by Brad Nelson
Features
Shock and Entertainment: A Paul Verhoeven Retrospective
Features
Before “Deadpool”: The Golden Age of the R-Rated Blockbuster
Features
There’s Something About “Blade Runner”
Features
Zatoichi Films Get the Deluxe Box Set Treatment
Interviews
Dario Argento on “Dracula” and Horror
Features
Public Edition #4
Scanners
The Return of the Autobiographical Dictionary of Film
Scanners
VIFF #2: Come into my painting said the spider to the eye
Roger Ebert
