Good Times
Sonny and Cher
Themselves
Themselves Movie Reviews
Blog Posts That Mention Themselves
RogerEbert.com Supercut: Actors Playing Themselves in Movies
Movies don’t stream themselves
The 20 Best Films of 2025 So Far
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #8: Award Winners
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Splitsville, Love Me Tender, Nino
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025: Yes, Woman and Child, The Six Billion Dollar Man
Cannes 2025: Slauson Rec, Dandelion’s Odyssey, Lucky Lu
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
The Red Carpets of the 2025 Chicago Critics Film Festival
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
Cannes 2025: Sound of Falling, Reedland
Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Highlights from the 2025 MUBI Fest Chicago
Doc10 Launches 10th Anniversary Edition with Some of the Best Non-Fiction Films of 2025
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Prime’s Magnetic “Étoile” Is Guaranteed To Be Your Spring TV Obsession
“Expedition 33” Is An Exercise In RPG Artistry
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
A True Sense of the Eerie, or Why I Love the Hell House Films
13 Reviews by Roger Ebert for the 2025 Day4Empathy
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
“Hacks” Returns at the Peak of Its Comedic Powers
Netflix’s Intense and Seductive “Pulse” is the Streamer’s Best Show in Years
Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains
Female Filmmakers in Focus: The Films of Euzhan Palcy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
The Ebert Fellows on True/False 2025
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Age Has No Expiration When It Comes to Talent
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
How “The Seed of the Sacred Fig” Subverts the “Save the Girl” Trope
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
The Idealist’s Journey
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
More Than Rage: Rungano Nyoni and Susan Chardy on “On Becoming a Guinea Fowl”
Women Develop New Models of Heroism in Festival Docs
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Three of Quentin Tarantino’s Most Beloved Features Get the 4K Steelbook Treatment
Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls
A Look at Every Oscar-Nominated Short This Year
Scott Derrickson Dives Deep into “The Gorge”
“Yellowjackets” Finally Gets Its Bite Back With Season Three
“Avowed” Brings Personal Characters To An Exciting World
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
HBO’s “The White Lotus” Remains Worth the Trip in Brilliant Third Season
“Anora,” “Shōgun” Win Big with Critics Choice Awards
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Sundance 2025: The Dating Game, Prime Minister, How to Build a Library
Sundance 2025: The Perfect Neighbor, The Alabama Solution, Zodiac Killer Project
Sundance 2025: Train Dreams; Sorry, Baby
Sundance 2025: The Librarians, Middletown, Speak.
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Sundance 2025: Brides, Where the Wind Comes From, Two Women
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Sundance Film Festival 2025: Predators, The Stringer, FOLKTALES
Sundance 2025: Omaha, Bubble & Squeak
Oscar Nominations Predictions 2025
Apple TV+ Misses the Mark With Conspiracy Thriller “Prime Target”
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
The Future of the Movies, Part 4: The Necessity of Discovery
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
Starz’s “The Couple Next Door” Stops Itself From Reaching Great Heights
Not Everything Needs to be for Sale: on the Integrity of the Watch Duty App
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”
Don’t Bother Waking Up for “On Call”
Peter Berg Shows the Ugly Side of American History With the Frustrating “American Primeval”
14 Underrated Movies of 2024
The Great Performances of 2024, Part Two
The Great Performances of 2024, Part One
The 25 Best TV Series of 2024
Two Thumbs Up! The Individual Top Tens of 2024
Netflix’s “No Good Deed” Is a Fantastic Black Comedy About the Woes of Homebuying
2025 Sundance Film Festival Announces Ambitious Program
Kyle Mooney and Evan Winter Go Back in Time with “Y2K”
Keira Knightley and Ben Whishaw Shine in Netflix’s Thrilling “Black Doves”
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
