Good Times
Sonny and Cher
Themselves
Themselves Movie Reviews
Blog Posts That Mention Themselves
RogerEbert.com Supercut: Actors Playing Themselves in Movies
Movies don’t stream themselves
Sundance Film Festival Announces 2026 Line-Up
HBO’s “Heated Rivalry” is the Sexiest and Most Significant Queer Show of the Year
Welcome to the Family Captures Chaos & Coolness of One of Hollywood’s Most Memorable Franchises
Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western
Short Films in Focus: Off the Face of the Earth (with Michael Pantozzi)
What I Know is What I Am: Jimmy Cliff (1944-2025)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
“Dispatch” is a Superhero Drama Equally Mighty and Emotional
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Making Dreams Feel Real: A Memory of Siskel & Ebert
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
We Live in Time: Joachim Trier on “Sentimental Value”
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
No Other Land: Surviving a Crushing Machine
A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel & Ebert”
Tokyo Film Festival 2025: Journey into Sato Tadao
HBO’s “The Seduction” Surprises without Sizzle
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
“Pokemon: Legends Z-A” is Several Steps Forward, Several Steps Back
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
Apple TV Sends Ruth Wilson and Emma Thompson “Down Cemetery Road” in Stylish Fashion
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
Season 2 of Netflix’s “Nobody Wants This” Keeps the Formula With Some Improvements
How to Define Freedom: Nia DaCosta on “Hedda”
In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up
The 11 Best Body-Swap Movies, Ranked
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year
Why “I’m Still Here” Will Always Be a Powerful Watch
Fantastic Fest 2025: CAMP, Bad Haircut, Theater is Dead
A Tale of Two Machines: On the First Season of “Alien Earth”
Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
Fantastic Fest 2025: Primate, Bride of Re-Animator
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Blue Heron, Amoeba, Meadowlarks
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
TIFF 2025: Obsession, Honey Bunch, Whitetail
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
TIFF 2025: Palestine 36, The Choral, Peak Everything
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Do You Hear Your Trees? They’re Crying: Graham Greene (1952—2025)
TIFF 2025: 20 World Premieres We Can’t Wait to See
Short Films in Focus: Joe Hunting on “The Reality of Hope”
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
How I Spent My Summer Vacation At The Drive-In
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
FX’s “Alien: Earth” Shatters Already High Expectations
Netflix Brings “Wednesday” Back to Nevermore for a Spookier, Stranger Season 2
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Meet the Writers: Cortlyn Kelly
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
30 Minutes On: “Nashville”
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases
The 10 Best Oasis Needle Drops
It’s One Louder: “This is Spinal Tap” Turns 41
The Best TV of 2025 (So Far)
A Dispatch From the Bentonville Film Festival
Netflix’s Third Season of “Squid Game” Limps Its Way To Its Bleak, Cynical Finish Line
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
Transformative Third Season of HBO’s “The Gilded Age” Dazzles and Delights
Tribeca Film Festival 2025: The Documentaries
The 20 Best Films of 2025 So Far
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #8: Award Winners
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Splitsville, Love Me Tender, Nino
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025: Yes, Woman and Child, The Six Billion Dollar Man
Cannes 2025: Slauson Rec, Dandelion’s Odyssey, Lucky Lu
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
