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HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus
CIFF 2025: The Stranger, Franz, Kontinental ’25
How to Define Freedom: Nia DaCosta on “Hedda”
Chaz Ebert to Participate in Two Upcoming Events in Public Libraries
In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up
William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
“Battlefield 6” Seeks to Reclaim the Front Line of Multiplayer Shooters
Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary
NYFF 25: The Currents, Gavagai, Is This Thing On?
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
“The Ghost of Yōtei” is One of the Most Cinematic Games of the Year
Short Films in Focus: “Stooper” (with Bennett Watanabe)
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World
A Tale of Two Machines: On the First Season of “Alien Earth”
Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones
“Slow Horses” Continues to Entertain, Even in a Lesser Season
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Fantastic Fest 2025: Night Patrol, Dolly, Dinner to Die For
Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
Apple TV+’s “The Morning Show” Piles On More Oscar Winners As The Show Loses Steam
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Eternal Return, Nuremberg, Carolina Caroline
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
TIFF 2025: Scarlet, Arco, Little Amélie or the Character of Rain
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
Hulu K-Drama “Tempest” Grapples with the Inevitability of War and the Dream of Peace
“Only Murders in the Building” Tackles Changing World by Staying the Same
TIFF 2025: Palestine 36, The Choral, Peak Everything
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
Telluride Film Festival 2025: Lost in the Jungle, Ask E. Jean, Everywhere Man: The Lives and Times of Peter Asher
Something Wretched This Way Comes in the Second Half of “Wednesday” Season Two
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
Do You Hear Your Trees? They’re Crying: Graham Greene (1952—2025)
An Ode to the Unanswered Questions in “Agnes of God”
Short Films in Focus: Joe Hunting on “The Reality of Hope”
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Moviehouse on the Edge: IFC Center Picks 20 Films to Commemorate 20 Years in New York
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
How I Spent My Summer Vacation At The Drive-In
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Prime Video Prequel Series “The Terminal List: Dark Wolf” Fills In (But Doesn’t Fire) Blanks
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
LIFE AFTER LIFE: 4 Films at IANDS Conference in Chicago August 27-31
My Window into Culture: Rachael Abigail Holder on “Love, Brooklyn”
The Personal Becomes Universal in Moving, Funny “Long Story Short”
“Metal Gear Solid Delta: Snake Eater” is the Definitive Way to Experience This Stealth Game Classic
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Meet the Writers: Peyton Robinson
Josh Larsen on the Return of Cinema Interruptus
Netflix Brings “Wednesday” Back to Nevermore for a Spookier, Stranger Season 2
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Short Films in Focus: The Vacation
Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
SDCC 2025: Celebrating ALL the Popular Arts
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Cinema Femme Short Film Festival 2025: Highlights & Hope for the Future of Film
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
