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Explore the World of “Dune: Awakening”
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Netflix Unpacks One of Chicago’s Most Infamous Unsolved Mysteries in “Cold Case: The Tylenol Murders”
Renowned Film and Television Critic Richard Roeper Joins RogerEbert.com
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
Cannes 2025 Video #8: Award Winners
“Elden Ring Nightreign” is a Fun Multiplayer Game but Only Under the Right Conditions
FX Navigates Familiar Comic Waters with Flair in Clever “Adults”
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Splitsville, Love Me Tender, Nino
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Cannes 2025: The Mastermind, Young Mothers
Cannes 2025 Video #5: Chaz Ebert on “Nouvelle Vague” and “Highest 2 Lowest”; Interviews with Elizabeth Guest and Filmmakers of “Average White Band”; Nicole Kidman on Women in Motion Award
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Cannes 2025: The Secret Agent, The Love That Remains, Magellan
Lookin’s Free: Joe Don Baker (1936-2025)
“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun
Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
Cannes 2025: Sound of Falling, Reedland
Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Remembering Jan Dawson, My Mother-in-Law (Twice)
Female Filmmakers in Focus: Dea Kulumbegashvili on April
Short Films in Focus: Margie Soudek’s Salt and Pepper Shakers
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Chaz Ebert Says ILLUMINATE Film Festival Will Help Light The Way
Robert Daniels & Odie Henderson Talk Sinners
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Netflix’s “You” Gives Us a Better Ending Than We Deserve
Prime’s Magnetic “Étoile” Is Guaranteed To Be Your Spring TV Obsession
“Expedition 33” Is An Exercise In RPG Artistry
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Defined In Isolation: Ryan Coogler on “Sinners”
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
Chicago Latino Film Festival 2025: Highlights of a Creative Force
Big Blocks of Fun: A Minecraft Movie
In Season 2 of HBO’s “The Rehearsal,” Nathan Fielder Tries to Save Lives
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Short Films in Focus: Incident
“The Last of Us” Returns with a Devastating, Riveting Second Season
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Netflix’s Intense and Seductive “Pulse” is the Streamer’s Best Show in Years
Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains
Female Filmmakers in Focus: The Films of Euzhan Palcy
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
Prime Video’s “The Bondsman” Takes Kevin Bacon on a Drab Trip to Hell and Back
Divisive “Assassin’s Creed Shadows” Works if You Let It
Join Chaz Ebert and Sasha-Ann Simons at the University Club of Chicago on April 8, to Discuss “The Death of Empathy”
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Creating a Meta-Rom-Com: Karen Morey and Terence Chen on “Meet Cute in Manhattan”
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
How the One-Take Approach of “Adolescence” Traps Us in Tragedy
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
Paramount+ True Crime Series “Happy Face” Entertains Even as It Loses Direction
Finding a Way Home: André Holland Never Rests
SXSW Film Festival 2025: Forge, Slanted, The True Beauty of Being Bitten by a Tick
SXSW Film Festival 2025: The Rivals of Amziah King, Hallow Road, The Dutchman
Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
The Unloved, Part 134: A Dandy in Aspic
“Split Fiction” Has Compelling Gameplay Held Back By Pacing Issues
The Sweet and Sour K-Drama “When Life Gives You Tangerines” Measures Life in Four Seasons of Love
In “The Handmaid’s Tale,” Women Fight the Darkness—And Are Tempted By It
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Poetically in Love: Three Declarations of Love in Verse
More Than Rage: Rungano Nyoni and Susan Chardy on “On Becoming a Guinea Fowl”
Women Develop New Models of Heroism in Festival Docs
People Have Theories: “Picnic at Hanging Rock” at 50
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
Looking Back: Highlighting Some Great Pieces by Our Female Critics
A Look at the Rich Tapestry of Films Coming from South Africa
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
