The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Patricia Clarkson, star of Learning to Drive.
An interview with Sir Ben Kingsley, star of "Learning to Drive".
Lists from our critics and contributors on the best of 2014.
Sheila writes: Susan Wloszczyna and Brian Tallerico, from Rogerebert.com, were both at the 39th annual Toronto Film Festival. So many films to see in so little time! I look forward to checking out many of the titles. You can check out all of the reviews here, listed out in the Table of Contents. Rogerebert.com's Odie Henderson also attended the festival and he sent in a a dispatch of his favorites. What films are you looking forward to the most this fall?
A report on day three of TIFF on "Pawn Sacrifice" and "The Humbling."
A plea for "sanity" in discussing Allen/Farrow; Phillip Roth on why he's not going back to fiction; Russell Brand on addiction; The Tonight Show's forgotten host.
Searching for David Chappelle; Susan Faludi on "lean in" feminism; Jonathan Franzen's cranky nonfiction; Judging TV on its own merits; David Bordwell on the changing VIFF.
"Orange Is the New Black's" Uzo Aduba; a Hollywood actress' career cut short by a hair dryer; why "Ginger Snaps" may be the most feminist horror flick of all time; old film magazines are now searchable for everyone; 17 reasons why women may make better directors.
Screenwriter Thunder Levin discusses "Sharknado," the SyFy Channel movie that lit Twitter on fire.
By Roger Ebert
Yes, the editorial page of the Wall Street Journal is generally an intellectual black hole. (Check that metaphor: Can a black hole be shallow? After all, doesn't it, too, instantly narrow to a single teeny point?) But this piece by Brian C. Anderson extolling the mental health benefits of video games does provide some amusing and intriguing fodder for our neverending debate about games and art and the human brain:
Video games can also exercise the brain in remarkable ways. I recently spent (too) many late-night hours working my way through "X-Men: Legends II: The Rise of Apocalypse," a game I ostensibly bought for my kids. Figuring out how to deploy a particular grouping of heroes (each of whom has special powers and weaknesses); using trial and error and hunches to learn the game's rules and solve its puzzles; weighing short-term and long-term goals -- the experience was mentally exhausting and, when my team finally beat the Apocalypse, exhilarating.