The plot opts for cop-out sentimentality and begins to melt into goo.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
On the occasion of Isabelle Huppert's new film, "Elle," Dan Callahan looks back the most memorable roles of the enigmatic actress.
A preview of the Gene Siskel Film Center's upcoming Brit Noir film series, which runs from November 5-30.
Blu-ray reviews for films including Charley Varrick.
The June 2015 edition of Unloved looks at Joseph Losey's "M".
A recap and guide to the most interesting Blu-rays of 2014.
May 2014 Blu-rays of note.
Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!
Marie writes: ever stumble upon a photo taken from a movie you've never seen? Maybe it's an official production still; part of the Studio's publicity for it at the time. Or maybe it's a recent screen capture, one countless fan-made images to be found online. Either way, I collect them like pennies in jar. I've got a folder stuffed with images, all reflecting a deep love of Cinematography and I thought I'd share some - as you never know; sometimes, the road to discovering a cinematic treasure starts with a single intriguing shot....
A Streetcar Named Desire (1951) Cinematography: Harry Stradling(click images to enlarge)
Camille Paglia is known for being both brilliant and wacky (possibly wacko) -- often at the same time, which is probably when she's at her most inspired. A founding contributor at Salon.com (and co-star of "It's Pat: The Movie"), Paglia spoke on the phone to Salon editor Kerry Lauerman yesterday after the news of Elizabeth Taylor's death, and offered up an extraordinary tribute. I just wanted to share some of it with you. Lauerman begins by quoting something Paglia wrote about Taylor in Penthouse in 1992:
"She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses women's ancient and eternal control of the sexual realm." Paglia takes it from there:
Exactly. At that time, you have to realize, Elizabeth Taylor was still being underestimated as an actress. No one took her seriously -- she would even make jokes about it in public. And when I wrote that piece, Meryl Streep was constantly being touted as the greatest actress who ever lived. I was in total revolt against that and launched this protest because I think that Elizabeth Taylor is actually a greater actress than Meryl Streep, despite Streep's command of a certain kind of technical skill. [...]
If all the year-end and decade-end lists (even though we realize the decade isn't actually over until 2011) have left you dizzied and depleted, take heart! Perhaps you've missed out on some of the more invigorating, far-sighted list-based ventures. Over at Some Came Running, for example, Glenn Kenny conducted an ingenious and fascinating project, going back and taking a look at the late Manny Farber's Best Films of 1951. Meanwhile, at The Crop Duster, Robert Horton is engaged in surveying the year's best -- in non-chronological order -- from, oh, about 1919 or so, to the present, posting a new list every Sunday. What fantastic delights are to be found in these itemized accounts...
Click above to REALLY enlarge...
UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)
I just can't get my mind off of Jason Reitman's pie chart. It rings such a bell. The director of "Up in the Air" has been keeping record of the standard questions he's been asked over and over again during his current national publicity tour.
TORONTO, Ont.-Attached to this article should be a photograph. Study it carefully. The next time you are at the Cannes, Toronto, Telluride, Pusan, Berlin, Venice or Sundance film festivals, you will see this man. His name is Pierre Rissient. You may also see him in Paris, Los Angeles, Hong Kong, Shanghai, and in the weather reports.
Here goes. For the time being, I'm just going to offer up the answers to the Opening Shots Pop Quiz, without further elaboration or analysis in most cases -- because these shots are so great they deserve full Opening Shots treatments of their own. (And you, by the way, are welcome to provide them if you are so inclined!)
The Festival International du Film, held annually in Cannes, France, has become the world's most prestigious film festival—the spot on the beach where the newest films from the world's top directors compete for both publicity and awards.
Cannes, France – The television crew has appropriated the garden of the Majestic Hotel and is setting up a shot that will symbolize the atmosphere here on the day before the official opening of the 33rd annual Cannes International Film Festival. The shot shows film critic Rex Reed sitting alone at a table in the deserted garden in the rain, sipping from a glass of champagne. Behind him, the great swimming pool is empty. The deck chairs are stacked like firewood. The sky is gray and the waves are pounding sullenly against the beach.
HOLLYWOOD - Of all the kinds of sets they make movies on, the science-fiction sets are the most fun. Here was Michael York, dressed in a 23d Century tunic, holding a ray gun and looking immensely pleased with himself. And all around him, inside the largest sound stage on the MGM lot, were vast plastic domes and rows of ominously blinking lights and strange machines that looked like dentists' chairs run amok.
"That's all gone, now, the old, Hollywood," Warren Beatty was saying. "All gone. I remember once I was being interviewed by Hedda Hopper. Are you still going with that Joan Collins? She's too old for you. And, Warren, you really should do something about your clothes! Look at those clothes! Marriage, you should be thinking about marriage at your age, Warren."