"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Seasonal anticipation: as 2013 debuted, many were feeling it. The 28th iteration of the Santa Barbara International Film Festival, aka "SBIFF," was on the wind, with jazzed moviegoers soon to converge elbow-to-elbow in a familiar, even familial, and happy bustle on downtown's State Street.
I was among the excited, as this would be my third year covering the festival. And for me, extra sweetening would be provided by the tribute to Daniel Day-Lewis, the oft-reticent acting genius whose reanimation of Abraham Lincoln seemed certain to bring another Best Actor Academy Award -- his 3rd, making him the only actor to surpass Marlon Brando, who received 2.
Marie writes: As TIFF 2012 enters its last week and the Grand Poobah nurses his shoulder in Chicago (having returned home early for that reason) the Newsletter presents the final installment of Festival trailers. There was a lot to chose from, so many in fact there was no room for theatrical releases; they'll return next week. Meanwhile, enjoy!
View image From "The Bitter Tears of Petra von Kant" -- one of the best movies, and movie titles, ever. Say it five times.
Back when the New German Cinema was colonizing America, my friends and I liked to transform our favorite actor-names, especially those from Fassbinder movies, into exclamations. "Ulli Lommel!" we would exclaim. Or, "Gottfried John!" (with a W.C. Fields inflection). Or, "What the Harry Baer was that!?!" The moniker-musik of Fassbinder's cinematographers alone still fill me with joy: Michael Ballhaus, Dietrich Lohmann, Xaver Schwarzenberger, Jürgen Jürges...
My dream was to hear the complete cast and credits of "Berlin Alexanderplatz" read by a National Public Radio on-air personality. Sure, every name sounds great when pronounced on NPR -- and especially "Sylvia Poggioli" or "Corey Flintoff." (I love how the second syllable of "Flintoff" falls off, like it's going over a cliff. Say that last sentence out loud. It's fun.) But what if you put the two together? It could be like peanut butter and chocolate.
What follows is a list of very, very good names for your enjoyment. They are best when you speak them with impeccable diction. And don't forget the umlauts, where appropriate. While you're doing that, can you also figure out which ones are from NPR and which are from Fassbinder? After scrambling the two lists of my favorites I'm not sure I can anymore. I will, however, say this: Rüdiger Vogler. (He's a Wim Wenders actor, not a Fassbinder vet, but he's a damn fine one with a damn fine name and I wanted to get him in here somewhere.)
UPDATE: You want to hear how it's done? Our Man In Istanbul, Ali Arikan, reads some Fassbinderian names with poetic precision here.
Before the jump, here's a few to get you started -- but beware, there are three tricks!
1 Kai Ryssdal 2 Kurt Raab 3 Peer Raben 4 Mara Liasson 5 Ulla Jacobsson 6 Annabelle Gurwitch 7 Elisabeth Trissenaar 8 Ira Flatow 9 David Folkenflik
The Festival International du Film, held annually in Cannes, France, has become the world's most prestigious film festival—the spot on the beach where the newest films from the world's top directors compete for both publicity and awards.