Reflections on the 2014 Los Angeles Film Festival
Steven Boone returns with highlights of the just-wrapped 20th Annual Los Angeles Film Festival.
Steven Boone returns with highlights of the just-wrapped 20th Annual Los Angeles Film Festival.
A report from the 61st Annual Sydney Film Festival, including The Rover, Life Itself, Ruin, and many more.
A report from the 2014 Seattle International Film Festival.
A preview of the 2014 Los Angeles Film Festival.
Chaz Ebert shares some of her favorite moments from the 2014 Cannes Film Festival.
Cannes reporters Michał Oleszczyk and Ben Kenigsberg discuss the films of this year’s Cannes Film Festival.
A new FFC offers his take on two films from the Cannes Directors’ Fortnight.
A recap of all of our Cannes coverage, by author.
On her way home, Chaz Ebert takes time to recap the winners of the 2014 Cannes Film Festival.
A video report on RogerEbert.com’s favorite films of Cannes 2014, including new works by Mike Leigh and the Dardennes brothers.
The Turkish director, a longtime Cannes favorite, won the festival’s top prize.
The latest Cannes 2014 video covers the biggest awards, interviews several of this year’s attendees, and highlights the Dardennes’ “Two Days, One Night” and Ryan Gosling’s “Lost River.”
The annual presentation of the 2014 Palme de Whiskers was a star-studded affair this year.
The Competition section of the 2014 Cannes Film Festival ends with Olivier Assayas’ “Clouds of Sils Maria” with Juliette Binoche, Kristen Stewart, and Chloe Grace Moretz.
The Ukrainian Critics’ Week winner deserves its accolades.
Day nine of the Cannes Film Festival finds our reporter covering Leviathan and Asia Argento’s Misunderstood.
A Cannes reporter sees little value in “Jimmy’s Hall,” the latest drama from Ken Loach.
Michael Oleszczyk reports on a discovery in the Quinzaine de Realisateurs section at Cannes this year: Diego Lerman’s “Refugiado.”
Chaz Ebert’s latest video reports on the Cannes premieres of “Foxcatcher,” “The Homesman,” “Mr. Turner,” and “The Wonders,” while offering an extended report on the emotional screening of “Life Itself.”