Cannes 2017: “Claire’s Camera,” “Filmworker,” “Unforgiven”
A look at three films from Cannes from our very own critic, Simon Abrams.
Festivals & Awards
Cannes 2017: “L’amant double,” “Good Time,” “12 Days”
Three reviews from Cannes, including the latest from Francois Ozon and the Safdie brothers, along with a special out of competition screening.
Cannes 2017: “Jeanette, the Childhood of Joan of Arc,” “The Summit”
Bruno Dumont stages a rock opera about Joan of Arc. An Argentine political thriller has a dash of Hitchcock’s “Spellbound.”
Cannes 2017: “The Beguiled,” “A Gentle Creature,” “Closeness”
A report from Cannes on the latest from Sofia Coppola, along with reviews of two films from Russia.
Cannes 2017: “24 Frames,” “Rodin,” “Radiance”
A report on the latest from Naomi Kawase and the last from Abbas Kiarostami.
Cannes 2017 Video #3: “Okja,” “The Square,” “Jupiter’s Moon,” “120 Beats Per Minute”
Chaz Ebert reports on “Okja,” “The Square,” “Jupiter’s Moon” and “120 Beats Per Minute” in her third video dispatch from Cannes 2017.
Cannes 2017: “The Killing of a Sacred Deer,” “The Day After,” “The Workshop”
A report on the latest from Yorgos Lanthimos and Hong Sangsoo.
Cannes 2017: Sean Baker’s “The Florida Project”
The director of “Tangerine” makes a raucous movie set in and around a seedy motel near Disney World.
Cannes 2017: “How to Talk to Girls at Parties” and “Napalm”
John Cameron Mitchell explains “How to Talk to Girls at Parties.” Claude Lanzmann remembers the time he talked to a (Communist) Party girl.
Cannes 2017: “Happy End,” “The Meyerowitz Stories,” “Before We Vanish”
A report from the Cannes Film Festival on the latest from Michael Haneke, Noah Baumbach and Kiyoshi Kurosawa.
Cannes 2017: “Redoubtable,” “120 Beats Per Minute,” “Walking Past the Future”
Friday at the Cannes Film Festival included a bomb scare, a Jean-Luc Godard biopic and more.
Cannes 2017: Self-Portraits from Agnès Varda and Abel Ferrara
Abel Ferrara (with bandmates) and Agnès Varda (with the artist JR) present two very different autobiographical documentaries.
Cannes 2017: Longtime Kubrick Assistant Leon Vitali Recalls Their Collaboration in “Filmworker”
Leon Vitali, a “Barry Lyndon” actor who became one of Stanley Kubrick’s closest collaborators, is the subject of a documentary in Cannes Classics.
Cannes 2017: Table of Contents
A table of contents featuring our full coverage of Cannes 2017.
Cannes 2017: “Okja,” “The Square,” “A Man of Integrity”
Reviews from the Cannes Film Festival of Bong Joon Ho’s “Okja,” Ruben Ostlund’s “The Square” and Mohammad Rasoulof’s “A Man of Integrity.”
Cannes 2017 Video #2: “Wonderstruck,” Netflix Controversy and More
Chaz Ebert reports on Todd Haynes’ “Wonderstruck” and the Netflix controversy in her second video dispatch from Cannes 2017.
Cannes 2017: “Western” and “Bright Sunshine In”
Claire Denis’s “Bright Sunshine In” opened Directors’ Fortnight, a parallel festival, which also presented Werner Herzog with an honorary award.
Cannes 2017: “Wonderstruck,” “Jupiter’s Moon,” “Barbara”
Day 2 of Cannes 2017 includes the latest from Todd Haynes.
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
A report on the opening day press conference for Cannes 2017 and the premieres of “Ismael’s Ghosts” and “Loveless.”
