Thumbnails 2/6/15
Amy Pascal resigns; The appeal of “Fifty Shades of Grey”; “Inherent Vice” walkouts; The self-inflicted war wounds of Brian Williams; The daring “Symbiopsychotaxiplasm: Take One.”
Amy Pascal resigns; The appeal of “Fifty Shades of Grey”; “Inherent Vice” walkouts; The self-inflicted war wounds of Brian Williams; The daring “Symbiopsychotaxiplasm: Take One.”
The dangers of stock photo modeling; Nancy Reagan refused to help Rock Hudson; Bed bugs may be splitting into new species; Hollywood’s white-guy problem; Eugene Levy and Catherine O’Hara.
A reprint of Roger’s Great Movies review of the timeless “Groundhog Day.”
Scout Tafoya’s series on overlooked or under appreciated films continues with screenwriter John Patrick Shanley’s debut feature.
Celebrating “Groundhog Day”; Stop making movies like “Black or White”; The catharsis of “Almost There”; Reflections on sexual abuse; How secular family values stack up.
An excerpt from Adrian’s Martin’s Mise en scène and Film Style: From Classical Hollywood to New Media Art.
The epic uncool of Philip Seymour Hoffman; How “Selma” got smeared; The fantasy fueling “Sniper”‘s popularity; Paradise in Palm Springs; Looking back at “Before Sunrise.”
“The year of women” at Sundance; “Sniper” proves critics matter; Gene Hackman is still in charge; Kurosawa watches “Solaris” with Tarkovsky; Joel Grey comes out.
A look at the fifteen short films nominated by the Academy of Motion Picture Arts and Sciences.
“Selma” is more than fair to L.B.J.; “American Sniper” increases threat against Muslims; Struggle over Vivian Maier’s photos; When racism can’t be ignored; Johnny Depp was never a movie star.
Chatting with Björk; Life and death in Senegal; Why “Life Itself” was snubbed; Disney rejects George Lucas; “American Sniper” is not war propaganda.
Chi-chi Nwanoku will attend a screening of Barrie Gavin’s documentary, “Chi-chi: Tales from the Bass Line,” in Chicago in February 9th.
Women taking action in Hollywood; Contrasting “Safe” and “Still Alice”; Bridge between love and lipstick; Adrià Julià on Rocky Ascending; What “American Sniper” says about America.
The true tragedy of “American Sniper”; Can America handle the truth on race?; Collapse of the Catholic right; Films that raise accuracy questions; 8 Oscar-worthy performances by Julianne Moore.
Open-office trend destroys workplace; Dark day for women in Hollywood; Matt Zoller Seitz on Wes Anderson; Hollywood absent from Oscars; Michael Phillips on “American Sniper.”
The female journey as an existential quest; Richard Pryor’s Hollywood Bowl meltdown; Stop GamerGate; “Selma” is a horror movie; “Blackhat” scoring controversy.
A look at the character-defining aspect of the chase in Michael Mann’s “Heat,” “Manhunter,” and “Public Enemies,” on the eve of the release of “Blackhat.”
The January 2015 excerpt from Bright Wall/Dark Room on Mike Nichols’ “Wit”.
Selma responds to “Selma”; Clooney and red carpet culture; The best art that offends us; Hip-hop isn’t a race relations cure-all; Enduring delights of “Duck Soup.”
A tribute to Jean-Luc Godard in light of the retrospective “Godard: The First Wave,” playing at the Siskel Film Center in Chicago.