45 Years and More with Charlotte Rampling
A celebration of the great actress Charlotte Rampling, currently seen in “45 Years” and soon a retrospective at New York City’s IFC Center.
A celebration of the great actress Charlotte Rampling, currently seen in “45 Years” and soon a retrospective at New York City’s IFC Center.
An interview with an early collaborator of the late cinematographer Vilmos Zsigmond.
A trip to South Africa allows a critic to view the new Star Wars film from a different angle.
Decline of middle-class films; Hunter S. Thompson’s son speaks out; Tarantino’s inner movie nerd must be stopped; Rob Schenck on guns and religion; Jean-Pierre Léaud on “The 400 Blows.”
An appreciation of Orson Welles’ “Chimes at Midnight” on the release of a restoration of the film.
An interview with the directors of “Spearhunter,” and the short film itself.
An obituary for the late Oscar-winning cinematographer Vilmos Zsigmond.
A celebration of Maggie Smith’s career and a review of Michael Coveney’s new biography about the actress.
A compilation of some notable Top 10 lists by Roger Ebert.
Blu-ray reviews for films including Charley Varrick.
With the release of Anomalisa, previous Charlie Kaufman masterpieces are coming back to the big screen.
Members of the RogerEbert.com film community remember the late Haskell Wexler.
The writers of RogerEbert.com on some of our favorite performances of 2015.
How comedy soared in 2015; “Star Wars” among Top 10 Films of 2015; Mark Ulano on “The Hateful Eight”; Carrie Fisher remains riotously off-message; Roger Deakins on “Sicario.”
Contributors to RogerEbert.com each list their favorite films of 2015.
A piece on the newly reissued Eve Babitz book “Eve’s Hollywood.”
Video revives the radio star; Ominous words from Trump; Single ladies in church and on TV; Spotlight’s journalism fellowship; Chatting with Alex Cox.
A comparison between The Danish Girl and The New Girlfriend illuminates what one does right, the other wrong.
An excerpt from the December 2015 issue of Bright Wall/Dark Room about “Inside Out.”