Dearly Beloved: The RogerEbert.com Staff Remembers Prince
The staff of RogerEbert.com shares their memories of Prince.
The staff of RogerEbert.com shares their memories of Prince.
Fans, fiction and representation; Emer Kinsella on a life in music; Glenn Kenny on “The Girlfriend Experience”; LAPD officer performs a rescue; Why we grieve artists we haven’t met.
A tribute to the late Israeli actress and filmmaker Ronit Elkabetz.
Mark Caro investigates the comedic viability of classic funny films with a new series at the Music Box Theatre.
Karyn Kusama is not going away; Why music biopics fall flat; Pupinia Stewart is stealing my sanity; Interactive storytelling reshaping cinema; Price of “Girlfriend Experience” too high.
An excerpt from the April 2016 issue of Bright Wall/Dark Room about “The Hours.”
A tribute to the late Jim Ridley from friend and colleague, Noel Murray.
Brad Bischoff on “The Grasshopper”; Seismic shift in the film festival world; Relevance of “The Second Civil War”; Ta-Nehisi Coates on “Black Panther”; Ode to “Bad News Bears.”
One of our critics looks at what “Batman v Superman: Dawn of Justice” says about life in 2016.
A look at some of Roger’s best journal writing.
Robert Drew is not a household word, but he should be; all modern documentary cinema comes from 1960s innovations by him and his collaborators.
An interview with the director of “The Little Deputy” and a presentation of the short film.
30 Minutes on the latest by Jeff Nichols (“Take Shelter,” “Mud”).
A reposting of Tina Hassannia’s article from Movie Mezzanine, and the response it received from Peter Becker, president of the Criterion Collection.
Dorothy Malone on “The Fast and the Furious”; Forgotten female action stars; Lynn True and Nelson Walker on “In Transit”; Donald Trump’s abortion logic; Why Christians hate Christian movies.
A celebration of the Alliance of Women Film Journalists on their tenth anniversary.
Monica Castillo responds to our Movie Love Questionnaire.
A look at Sam Peckinpah’s relationship with violence and women in light of a retrospective at The Lincoln Center in New York.
An appreciation of the lasting power of Bette Davis.