An essay by Elizabeth Cantwell about Ace in the Hole, as excerpted from the latest issue of online magazine Bright Wall/Dark Room.
A personal feature about the journey of Charlie Kaufman’s I’m Thinking of Ending Things.
Made with startling intelligence and skill, Cronenberg’s debut has not lost any of its potency over the decades.
Wendy Robie on “Twin Peaks”; Regina King on “Watchmen”; Mark Pellington on Quibi; Diane Quon on producing; Yusuf on Cat Stevens.
A celebration of Easy A, on the occasion of its tenth anniversary on September 17.
An excerpt from Glenn Kenny’s book about the making of Martin Scorsese’s Goodfellas, now available.
A reappreciation of James Gray’s Ad Astra.
A look back at John Hyams’ 2012 maligned masterpiece.
An interview with the director of Ode to Desolation, and a presentation of the short film.
A revisit of Steven Soderbergh’s remarkable High Flying Bird in the context of this week’s NBA strike.
An excerpt from The Press Gang on independent filmmaking in the ’90s.
Part II of highlighted articles from our writers at RogerEbert.com.
Part I of highlighted articles from our writers at RogerEbert.com.
On the tenth anniversary of one of the best films of the 2010s, now opening in 70MM.
On how Signs and War of the Worlds play in 2020.
An interview with the director of Summer Hit, and a presentation of the short film.
Of course the participants arrived by time-traveling phone booths in SDCC’s “Bill and Ted Face the Music” panel, hosted by Kevin Smith.
Women are not only rocking Hollywood; they are transforming it by working to open opportunities for other women and honoring the productions that meet gender equity goals.
A Collider panel at SDCC 2020 discussed the upcoming horror film Antlers.
A recap of a panel that analyzed philosophical and ethical similarities and differences between the two biggest sci-fi franchises of all time.
