Thumbnails 10/30/2013
On writing for free (don’t do it!); the aftermath of “12 Years a Slave”; erasing John Wayne; Halloween spell-ings; bad writer, bad person?
On writing for free (don’t do it!); the aftermath of “12 Years a Slave”; erasing John Wayne; Halloween spell-ings; bad writer, bad person?
Lou Reed dead at 71; more “Blue Is the Warmest” controversies; a survey of Orson Welles biographies; is consensus ruining criticism?; the cultural crater of “12 Years a Slave.”
Ridley Scott’s new film, whose production was interrupted by the suicide of the director’s brother Tony, is a weird melding of their styles, concerns and temperaments.
Twenty years ago, promising actor River Phoenix died at 23. His last, unfinished film was “reconstructed” and shown at festivals earlier this year. The making of that film was already difficult before his death.
The title of the second episode of NBC’s “Dracula” may be called “A
Whiff of Sulfur” but the program has a different, stale odor, feeling
like the product of inevitability more than creative spark.
“Carrie” is unusual because Carrie’s turn to violence is not in service of others, unlike many “strong female characters” in recent films.
Writer Susan Wloszczyna responds to our Movie Love Questionnaire.
American education is uneven rather than simply mediocre; what NYC sounded like in the 1920s; X bassist John Doe speaks; director Jeff Tremaine on pranking people; lousy films with great soundtracks.
Female Pleasure Is the Real TV Taboo; Blue Is the Warmest Controversy; Condescending to Vincent Price; Why Journalists Should Learn to Code; an MFA writing workshop for the Bible.
The legend of Harvey Scissorhands; the controversial twist of “Homeland”; a “Lucking Out” review; the sad misogyny of “Xanth”; the NSA galls the spy-crazy French.
A brief history of movie blood; a brief history of American independent cinema; new scholarship for women filmmakers from African and the Middle East; Fox News sock puppetry; “American Psycho” typo; cinema in 270 degrees.
The aesthetic politics of filming black skin; saving Memphis; a Richard Linklater retrospective; “Fisher King” commentary; bankrupting emergency care.
“12 Years a Slave” and “The Butler” are part of a valuable subgenre of American film that dramatizes the fallacy of “Black respectability”—the notion that if African-Americans will only speak, dress and behave in a certain way, discrimination won’t affect them, and they’ll reap the American dream.
Is videogame culture sexist? Sure. But only because the culture itself is sexist. Rowan Kaiser explains.
Why isn’t “Real Husbands of Hollywood” getting the media attention its ratings merit?
The love and sex Gore Vidal dared not speak; critic Sam Adams is a (James) Franco-phile; the national conversation about sexual assault; a brilliant pop culture quiz; eleven Colorado counties angling to secede.
Aranofsky, Paramount spar over “Noah”; parsing “Chungking Express”; why impassioned female leaders get a bad rap; Oliver Stone, Jamie Foxx to collaborate on MLK biopic; oh, and online we’re all awful.
Forgotten silent star Wallace Reid; Helena Bonham Carter defends ‘The Lone Ranger’; Harry Belafonte sues the King estate; the trouble with Kenan Thompson
“She’s So Unusual” turns 30; how Shel Silverstein’s literary estate is a book-blocker; the body positivity of “Rocky Horror”; if Thomas Friedman wrote breakfast menus; sexual harassment at comic-cons
With excellent performances from Dominic West and Helena
Bonham Carter, “Burton and Taylor” gets to the core of the dynamic
between two Hollywood greats.