“Boyhood”: Richard Linklater’s Divine Comedy
An examination of Richard Linklater’s “Boyhood,” how it deals with time and influence, and its relation to Dante’s “The Divine Comedy.”
An examination of Richard Linklater’s “Boyhood,” how it deals with time and influence, and its relation to Dante’s “The Divine Comedy.”
Marvel’s great death fake-out; Texas Chainsaw star dies; what the music industry can learn from TV.
Dr. Strangelove revisited; William S. Burroughs and his centipedes; dear critic, we will pay you to write about our film.
A report from SDCC on Cartoon Saloon, “The Secret of Kells,” and “Song of the Sea.”
An excerpt from “Tom Cruise: Anatomy of An Actor.”
An SDCC report on the Best Documentary winner “Stripped: The Comics Documentary.”
A supporting actress smackdown; 25 essential short films; Scorsese on story vs. plot; “Guardians” needs more faith in itself; Warren, Jerry & Carlos Danger.
Top 25 U.S. film schools; Sexism of sci-fi fans; War against nerds; Kids are better than they used to be; The last great surprise movie death.
Remembering Dick Smith; The importance of “Playtime”; Tom Hiddleston’s letter to Joss Whedon; The lazy nihilism of Woody Allen; Fan Bingbing to play Anna May Wong.
A breakdown of the opening of “Inglourious Basterds”; in praise of old TV; the ethics of torrenting; Shining twins, activate!
A report from SDCC on the Kickstarter “Star Trek” film, “Prelude to Axanar.”
An excerpt from “Robert De Niro: Anatomy of an Actor” by Glenn Kenny.
“Lucy” and the enduring appeal of the instance upgrade; why the second Indy movie is so dark; in defense of ComicCon; the Coens and souls at hazard.
Highlights from the 2014 Comic-Con, including “Mad Max: Fury Road,” “The Book of Life,” “The Boxtrolls,” “Hitman: Agent 47,” and more.
Joe Swanberg is not only not going away but he’s entering a new phase of his career.
Roger Ebert’s legacy; The decline of Woody Allen; The history of TMZ; Lawsuit filed to prove ‘Happy Birthday’ is in the public domain; Harassment at Comic-Con.
A mind-blowing experience with the Oculus Rift at the Fox booth at the 2014 SDCC.
Mike Cahill’s “I Origins” is just the latest in a history of film’s obsessed with the human eye.
You never know what you’ll find wandering around the Gaslamp District of San Diego during San Diego Comic-Con. On Saturday, a secret “Avengers: Age of Ultron” headquarters opened up, thanks to Samsung Revolution.