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Screenplay
Screenplay Movie Reviews
Blog Posts That Mention Screenplay
Have An Original Screenplay? Write it as a Novel!
If We Picked the Winners 2018: Best Original Screenplay
If We Picked the Winners 2018: Best Adapted Screenplay
If We Picked the Winners 2017: Best Original Screenplay
If We Picked the Winners 2017: Best Adapted Screenplay
If We Picked the Winners 2016: Best Original Screenplay
If We Picked the Winners 2016: Best Adapted Screenplay
If We Picked the Winners 2015: Best Original Screenplay
If We Picked the Winners 2015: Best Adapted Screenplay
If We Picked the Winners 2014: Best Original Screenplay
If We Picked the Winners 2014: Best Adapted Screenplay
Read my screenplay — please!
How to write a screenplay
“Who Killed Bambi?” – A screenplay
The 20 Best Films of 2025 So Far
Cannes 2025 Video #9: Wrap Up
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
Cannes 2025 Video #8: Award Winners
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Cannes 2025: A Private Life, The Disappearance of Josef Mengele
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Female Filmmakers in Focus: Dea Kulumbegashvili on April
The Florida Film Festival: An Oasis for Creative Souls
Defined In Isolation: Ryan Coogler on “Sinners”
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Ambient Comedy: Carson Lund on “Eephus”
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
A Preview of the 2025 Rendez-Vous with French Cinema
A Salute to the Movies That Got Overlooked During Oscar Season
If We Picked the Winners: The 97th Academy Awards
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
“Anora,” “Shōgun” Win Big with Critics Choice Awards
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Sundance 2025: The Things You Kill, Sukkwan Island, LUZ
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
14 Underrated Movies of 2024
The Great Craft of 2024
The 10 Best Horror Films of 2024
Two Thumbs Up! The Individual Top Tens of 2024
“The Brutalist,” “Nickel Boys” Lead 2024 CFCA Awards
“The Brutalist” Leads Chicago Film Critics Association Nominees
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Love Is Political: Payal Kapadia on “All We Imagine as Light”
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
Living Forward: Adam Elliot on “Memoir of a Snail”
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
CIFF 2024: Cloud, Grafted, Parvulos
CIFF 2024: Rita, Listen to the Voices, Peacock
The Steady, Inevitable Decline: Sideways at 20
NYFF: Stranger Eyes, Harvest, Who By Fire
Female Filmmakers in Focus: Coralie Fargeat on “The Substance”
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
The Tarantino Dozen
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30
A Cinematic Partnership for the Ages: James Ivory and Director Stephen Soucy on Telling the Merchant Ivory Story
TIFF 2024: The Life of Chuck, Nightbitch, K-Pops!
Venice Film Festival 2024: Happyend, Pavements, Familiar Touch
The Adams Family Gets Goopy in Hell Hole
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
A Moment in the Spotlight: On The King of Comedy
I’ve Got A Way With Young People: 25 Years of Dick
The Hard Road: Alex Cox on Crowdfunding, Success, and a Life in Independent Filmmaking
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50
Female Filmmakers In Focus: Agnieszka Holland
Flying to the Moon: Ten Films About the Apollo Program
Kevin Costner: The Last of the Cornball American Directors
The Best Films of 2024 So Far
Beautiful and Haunted: Jeff Nichols on The Bikeriders
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
Black Writers Week 2024: Table of Contents
How Cold War Thrillers Expressed Presidential Campaign Concerns
Expecto Patronum: Harry Potter and the Prisoner of Azkaban at 20
Female Filmmakers in Focus: Bridgett M. Davis
Home Entertainment Guide: May 2024
A Special Kind of Beauty: Viggo Mortensen on The Dead Don’t Hurt
