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Screenplay
Screenplay Movie Reviews
Blog Posts That Mention Screenplay
Have An Original Screenplay? Write it as a Novel!
If We Picked the Winners 2018: Best Original Screenplay
If We Picked the Winners 2018: Best Adapted Screenplay
If We Picked the Winners 2017: Best Original Screenplay
If We Picked the Winners 2017: Best Adapted Screenplay
If We Picked the Winners 2016: Best Original Screenplay
If We Picked the Winners 2016: Best Adapted Screenplay
If We Picked the Winners 2015: Best Original Screenplay
If We Picked the Winners 2015: Best Adapted Screenplay
If We Picked the Winners 2014: Best Original Screenplay
If We Picked the Winners 2014: Best Adapted Screenplay
Read my screenplay — please!
How to write a screenplay
“Who Killed Bambi?” – A screenplay
The 11 Best Body-Swap Movies, Ranked
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Why “I’m Still Here” Will Always Be a Powerful Watch
The Golden Boy: 11 of Our Favorite Robert Redford Performances
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
Hulu K-Drama “Tempest” Grapples with the Inevitability of War and the Dream of Peace
TIFF 2025: Palestine 36, The Choral, Peak Everything
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
American Badass: Michael Madsen (1957-2025)
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The Glorious Year of Morgan Freeman
50 Years Later, Cooley High Is Still Alive
Tribeca Film Festival 2025: The Narrative Features
The 20 Best Films of 2025 So Far
Cannes 2025 Video #9: Wrap Up
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
Cannes 2025 Video #8: Award Winners
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Cannes 2025: A Private Life, The Disappearance of Josef Mengele
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Female Filmmakers in Focus: Dea Kulumbegashvili on April
The Florida Film Festival: An Oasis for Creative Souls
Defined In Isolation: Ryan Coogler on “Sinners”
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Ambient Comedy: Carson Lund on “Eephus”
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
A Preview of the 2025 Rendez-Vous with French Cinema
A Salute to the Movies That Got Overlooked During Oscar Season
If We Picked the Winners: The 97th Academy Awards
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
“Anora,” “Shōgun” Win Big with Critics Choice Awards
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Sundance 2025: The Things You Kill, Sukkwan Island, LUZ
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
14 Underrated Movies of 2024
The Great Craft of 2024
The 10 Best Horror Films of 2024
Two Thumbs Up! The Individual Top Tens of 2024
“The Brutalist,” “Nickel Boys” Lead 2024 CFCA Awards
“The Brutalist” Leads Chicago Film Critics Association Nominees
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Love Is Political: Payal Kapadia on “All We Imagine as Light”
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
Living Forward: Adam Elliot on “Memoir of a Snail”
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
CIFF 2024: Cloud, Grafted, Parvulos
CIFF 2024: Rita, Listen to the Voices, Peacock
The Steady, Inevitable Decline: Sideways at 20
NYFF: Stranger Eyes, Harvest, Who By Fire
Female Filmmakers in Focus: Coralie Fargeat on “The Substance”
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
The Tarantino Dozen
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30
A Cinematic Partnership for the Ages: James Ivory and Director Stephen Soucy on Telling the Merchant Ivory Story
TIFF 2024: The Life of Chuck, Nightbitch, K-Pops!
Venice Film Festival 2024: Happyend, Pavements, Familiar Touch
