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Blog Posts That Mention Judge
You Can Judge a Book By Its Cover: These Say Vote An End to This Chapter
You Have to Kill the Judge: Parker Posey on “Irrational Man,” Woody Allen and Christopher Guest
TIFF 2014, Day One: “The Judge”
Throwback “Mina the Hollower” is One of the Best Games of 2026
“Unconditional” Brings Moral Questions to a Mother’s Love
Join Us for the Inaugural FECK Awards Gala This Saturday, April 4th
Shuffling and Whittling and Experimenting: Austin Keeling and Lam T. Nguyen on Editing the Told-on-Screens Film “Mercy”
SXSW 2026: baby/girls, Manhood, Drift
Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
All the Days of My Life: On Elaine May’s “A New Leaf”
“The Bronze” at 10: How a Washed-Up Gymnast Became a Cult Antihero
Life Within the Lens Celebrates Black Filmmaking
The Eye of a Camera: Frederick Wiseman (1930-2026)
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
It All Starts With the Meditation App: Bart Layton on “Crime 101”
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
The Great Performances of 2025
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
How to Define Freedom: Nia DaCosta on “Hedda”
The 11 Best Body-Swap Movies, Ranked
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
An Ode to the Unanswered Questions in “Agnes of God”
SDCC 2025: Celebrating ALL the Popular Arts
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Our Minds Have Been Colonized: Ari Aster on “Eddington”
The Lonely Landscapes of “Materialists” and “The Worst Person in the World”
We’re All In This Together: “Brazil” at 40
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Cannes 2025: The Mastermind, Young Mothers
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
How “The Seed of the Sacred Fig” Subverts the “Save the Girl” Trope
True/False 2025: The Track, Writing Hawa, Make It Look Real
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”
Female Filmmakers in Focus: Maura Delpero on “Vermiglio”
“Squid Game” Returns with Sharp Filmmaking, New Ideas in a Transitional Season
The Great Performances of 2024, Part One
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
CIFF 2024: Rita, Listen to the Voices, Peacock
Love Yourself: Sebastian Stan, Adam Pearson, and Aaron Schimberg on “A Different Man”
Locarno Film Festival 2024: Eight Postcards from Utopia and Sleep #2
Telling Their Story: Rich Peppiatt on Kneecap
Looking Into My Soul: Colman Domingo on Sing Sing
Ibrahim Nash’at Filmed the Taliban Up Close for a Year. ‘Hollywoodgate’ Was the Harrowing Result.
MGM+’s Messy The Emperor of Ocean Park Rules Over Convoluted Empire
Catherine Breillat Wants You to Think About (Movie) Sex Differently
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
The Presumed Innocent Movie Was a Highlight of Hollywood’s Page-Turner Era
Saved! at 20: Religious Satire and the Millennial Generation
Cannes 2024: The Apprentice, The Shrouds
The 10 Most Anticipated Films of Cannes 2024
O.J. Simpson Dies: The Rise & Fall of A Superstar
Home Entertainment Guide: March 2024
Trigger Warning: Jessica Hausner Is Going to Keep Asking Uncomfortable Questions
SXSW 2024: Dickweed, Secret Mall Apartment, She Looks Like Me
Avatar: the Last Airbender and What We Talk About When We Talk About Redemption
The Best Legal and Courtroom Dramas
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
