Beavis and Butt-Head Do America
Written by
Judge
Judge Movie Reviews
Blog Posts That Mention Judge
You Can Judge a Book By Its Cover: These Say Vote An End to This Chapter
You Have to Kill the Judge: Parker Posey on “Irrational Man,” Woody Allen and Christopher Guest
TIFF 2014, Day One: “The Judge”
Cannes 2025: The Mastermind, Young Mothers
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
How “The Seed of the Sacred Fig” Subverts the “Save the Girl” Trope
True/False 2025: The Track, Writing Hawa, Make It Look Real
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”
Female Filmmakers in Focus: Maura Delpero on “Vermiglio”
“Squid Game” Returns with Sharp Filmmaking, New Ideas in a Transitional Season
The Great Performances of 2024, Part One
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
CIFF 2024: Rita, Listen to the Voices, Peacock
Love Yourself: Sebastian Stan, Adam Pearson, and Aaron Schimberg on “A Different Man”
Locarno Film Festival 2024: Eight Postcards from Utopia and Sleep #2
Telling Their Story: Rich Peppiatt on Kneecap
Looking Into My Soul: Colman Domingo on Sing Sing
Ibrahim Nash’at Filmed the Taliban Up Close for a Year. ‘Hollywoodgate’ Was the Harrowing Result.
MGM+’s Messy The Emperor of Ocean Park Rules Over Convoluted Empire
Catherine Breillat Wants You to Think About (Movie) Sex Differently
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
The Presumed Innocent Movie Was a Highlight of Hollywood’s Page-Turner Era
Saved! at 20: Religious Satire and the Millennial Generation
Cannes 2024: The Apprentice, The Shrouds
The 10 Most Anticipated Films of Cannes 2024
O.J. Simpson Dies: The Rise & Fall of A Superstar
Home Entertainment Guide: March 2024
Trigger Warning: Jessica Hausner Is Going to Keep Asking Uncomfortable Questions
SXSW 2024: Dickweed, Secret Mall Apartment, She Looks Like Me
Avatar: the Last Airbender and What We Talk About When We Talk About Redemption
The Best Legal and Courtroom Dramas
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
The True Triumph of Robert Downey Jr.’s Second Act
A Farewell from Our Literary Editor, Matt Fagerholm
Upon Reflection: Andrew Haigh on All of Us Strangers
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Paramount+’s Western Expanse Broadens With the Riveting Lawmen: Bass Reeves
This Story Doesn’t Stop: Director Raoul Peck on Silver Dollar Road
Carlito’s Way Gets Excellent 4K Arrow Release with Commentary by Matt Zoller Seitz
TIFF 2023: Hit Man, Knox Goes Away, Next Goal Wins
TIFF 2023: His Three Daughters, North Star
Bright Wall/Dark Room August 2023: My Money is Still in Your Pocket by Sarah Welch-Larson
Meet the Writers of Black Writers Week 2023
Sweet Home Chicago Series for Juneteenth: Celebrating Graduates of 2023
Cannes 2023: How to Have Sex, Los Delincuentes, The New Boy
A Gold Mine of Material: George Griffith on From the Head and Twin Peaks: The Return
Charming Comedy Jury Duty Makes Case for a Different Verdict
Female Filmmakers in Focus: Kelly Reichardt on Showing Up
Colors of Film Deconstructs Visual Palettes of Cinema History
SBIFF 2023: Miranda’s Victim, American Outlaws: Faces of True Crime
HBO’s Rain Dogs Finds Humor, Despair in the Working-Class Mum at its Center
Bright Wall/Dark Room February 2023: The Unflattering Portrait: On Armageddon Time and Failed Solidarity by Nicholas Russell
