Seeing Lopez’s best screen work since her early heyday of Selena and Out of Sight isn’t the only reason to check out writer/director Lorene Scafaria’s…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the third season of True Detective, starring Mahershala Ali.
An interview with actor Jeffrey Wright about his work in the new Jeremy Saulnier film, Hold the Dark.
The 20 films world premiering at the Toronto Film Festival that you can expect to find covered here over the next week, among many others.
A report on three of the first competition films from this year's Sundance, all falling just short of effective.
A great collection of new Blu-ray releases, including "Green Room," "Night and Fog," "Everybody Wants Some!!" and "OJ: Made in America."
A tribute to the life of a great young actor gone too soon.
The year to date in cinema as seen by our contributors.
An interview with writer/director Jeremy Saulnier about his punk rock thriller "Green Room."
An interview with actress Imogen Poots about her performance in the new Terrence Malick movie Knight of Cups.
A look at the latest additions to the now-completed Sundance 2016 lineup.
A recap of the 2015 Toronto International Film Festival by the contributors who were there.
A review of Jeremy Saulnier's Green Room, starring Anton Yelchin and Patrick Stewart.
Ben Kenigsberg plans to look beyond the mainstream at this year's festival.
Interviews with Tilda Swinton, Julianne Moore, F. Murray Abraham and others at the 2014 Gotham Independent Film Awards.
A piece on the best releases new to streaming services and Blu-ray in the last two weeks, including "Noah," "Scanners," and "Life After Beth."
Jeremy Saulnier, the filmmaker behind the Sundance hit Blue Ruin, discusses his precise approach to his art form.
"Frank," "Cold in July" and "Blue Ruin" are all about characters with limited knowledge of who they are and what they're capable of.
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have also turned a spotlight on America.