Blog Posts That Mention Gay
Neil Patrick Harris Gets His Gay Groove Back in Darren Star’s Frothy Sitcom Uncoupled
Clint Worthington
ABC’s Gay Civil Rights Epic Mini-series “When We Rise” a Revolution Itself
Nick Allen
In Her Own Words: Asif Kapadia and James Gay-Rees on “Amy”
Matt Fagerholm
The nation’s smallest Gay Pride parade
Roger Ebert
What makes ‘Capote’ a gay film?
Roger Ebert
Gay-baiting Cruise for cheap laughs?
Roger Ebert
The gayness helped
Roger Ebert
Gay agenda: Is that all there is?
Roger Ebert
Sidestepping some gay questions
Roger Ebert
The “gay” Dilemma: If it’s a joke, what does it mean?
Jim Emerson
Brüno: “It’s like Transformers but not as gay”
Jim Emerson
Brokeback Jack and the gay “Departed”?
Jim Emerson
On actors who are too gay to be in the Musicals
Jim Emerson
Yes, gayer than “Dreamgirls”
Jim Emerson
A gay kid’s long, barely-repressed sob
Michał Oleszczyk
John Waters: Don we now our gay apparel
Roger Ebert
Brüno? A gay stereotype? You gotta be kidding!
Roger Ebert
The 20 Best Films of 2025 So Far
The Editors
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Ben Kenigsberg
The Red Carpets of the 2025 Chicago Critics Film Festival
Zachary Lee
Cannes 2025: A Useful Ghost, Arco
Ben Kenigsberg
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Matt Zoller Seitz
Red Meat: Steak ‘n Shake Goes Nazi
Matt Zoller Seitz
Women Develop New Models of Heroism in Festival Docs
Cristina Escobar
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
Nandini Balial
A Look at the Rich Tapestry of Films Coming from South Africa
Niani Scott
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
The Editors
Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard
Nandini Balial
Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
Matt Zoller Seitz
10 Great Performances from Sundance 2025
Brian Tallerico
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Robert Daniels
Sundance: Dead Lover, Touch Me
Robert Daniels
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Brian Tallerico
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Brian Tallerico
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Brian Tallerico
Sundance 2025: Twinless, Ricky, Jimpa
Robert Daniels
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Brian Tallerico
The 25 Best TV Series of 2024
The Editors
2025 Sundance Film Festival Announces Ambitious Program
Brian Tallerico
Solid Acting Saves the Familiar Premise of “Get Millie Black”
Nandini Balial
“She Just Had an Accident”: “Seed of Chucky” at 20
Matt Cipolla
Living Forward: Adam Elliot on “Memoir of a Snail”
Zachary Lee
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
Nell Minow
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
Jourdain Searles
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
Cristina Escobar
A Careful Performer: Maggie Smith (1934-2024)
Dan Callahan
FX’s “English Teacher” Gets an Incomplete Grade for Now
Brian Tallerico
In Memoriam: Alain Delon
Farran Smith Nehme
Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing
Tim Grierson
“This Is The Life, Isn’t It?” Martin Mull: 1943-2024
Peter Sobczynski
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
Nell Minow
How Cold War Thrillers Expressed Presidential Campaign Concerns
Bijan Bayne
Expecto Patronum: Harry Potter and the Prisoner of Azkaban at 20
Lauren Coates
When ‘Bad Boys’ Began, Martin Lawrence Was the Top Dog
Tim Grierson
Cannes 2024: Ghost Trail, Block Pass
Isaac Feldberg
Saved! at 20: Religious Satire and the Millennial Generation
Audrey Fox
Cannes 2024: It’s Not Me, Filmlovers!, Misericordia
Isaac Feldberg
Cannes 2024: My Sunshine, Rumours, The Balconettes
Robert Daniels
Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides
Ben Kenigsberg
Book Excerpt: Hollywood Pride by Alonso Duralde
The Editors
Netflix’s Dead Boy Detectives Is A Spinoff Stuck In Limbo
Clint Worthington
Luca Guadagnino Is Love
Tim Grierson
An Incorrect Image Of Ourselves: Mike Flanagan on the Tenth Anniversary of Oculus
Simon Abrams
Wagner Moura Is Still Holding On To Hope
Tim Grierson
Disney+ Returns to the Classic World of X-Men ’97
Max Covill
Along for the Ride with Sofia Coppola
Nea Ching
Working with Complete Fantasy: On the Legacy of Gentlemen Prefer Blondes
Laura Boyes
She’s Alive! Why Frankenstein Is Back—And Why It’s Being Used to Tell Women’s Stories
Gabrielle Moss
Fighting to Be Seen: On Emma Seligman’s Bottoms
Danielle Mathias
Oscar Predictions 2024: What Will Win This Year
Daniel Joyaux
Welcome to Chicago, Michał Oleszczyk!
Chaz Ebert
America’s Greatest Threat? A New Documentary Argues It’s Christian Nationalism
Tim Grierson
Nine Major Omissions from the 2024 Oscar Nominations
Daniel Joyaux
Sundance 2024: Exhibiting Forgiveness, Ponyboi, Stress Positions
Robert Daniels
Sundance 2024: Sebastian, Girls Will Be Girls, Brief History of a Family
Marya E. Gates
2023: The Year of the Teacher
Collin Souter
Upon Reflection: Andrew Haigh on All of Us Strangers
Isaac Feldberg
The Great Performances of 2023
The Editors
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Chaz Ebert
Short Films in Focus: Troy
Collin Souter
The Power of Community: Steve Cohen and Paula Froehle on the Chicago Media Project’s A Decade of Docs Fundraiser on October 28th
Matt Fagerholm
CIFF 2023: All Happy Families, Bike Vessel, Departing Seniors, Memorial
Robert Daniels
Disney+ Reboot of Goosebumps Slides from Promising Horror into YA Soap Opera
Rendy Jones
A Groundbreaking Politician: Dianne Feinstein (1933-2023)
Nell Minow
NYFF 2023: Highlights of the First Week of the Fest Include New Todd Haynes, Nuri Bilge Ceylan
Godfrey Cheshire
TIFF 2023 Video: Festival Highlights Including Spike Lee Receiving the TIFF Ebert Director Award
Chaz Ebert
TIFF 2023: Rustin, Sing Sing
Robert Daniels
Popular Reviews
The best movie reviews, in your inbox