The Informers
From the novel by
Ellis
Ellis
Ellis Movie Reviews
Blog Posts That Mention Ellis
Plant the Tree: RaMell Ross, Ethan Herisse, Brandon Wilson, and Aunjanue Ellis-Taylor on “Nickel Boys”
The Gift of Being Able to Hear Her Voice: Aunjanue Ellis on Playing the Williams Sisters’ Mother in King Richard
Producer’s Corner: Ellis Goodman’s Louder Than a Bomb, Mulberry Child and Art Paul of Playboy: The Man Behind the Bunny Now Available on Prime Video
Transcendent in Its Reach: Christine Swanson and Aunjanue Ellis on The Clark Sisters
The Honor of an Absolute Lifetime: Rod Lurie on “Lucky Strike”
Hulu’s Limp Sitcom “Not Suitable for Work” Is Hardly Suitable for Primetime
How “In a Lonely Place” Changed Noir’s Direction
Season 2 of Netflix’s “Running Point” Is An Easy Layup
MGM+’s Cult Hit “From” Wanders Through Frustrating Yet Addictive Fourth Season
Netflix’s “Jo Nesbø’s Detective Hole” Feels A Bit Overstuffed
CBS’s “CIA” Refuses to Read the Room
Sundance 2026: Table of Contents
Sundance 2026: The Lake, Nuisance Bear, Seized, Public Access
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Sundance 2026: Joybubbles, Soul Patrol, Who Killed Alex Odeh?
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
Long Awaited Second Season of “The Night Manager” Is More Gripping Than Ever
Sundance Film Festival Announces 2026 Line-Up
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
Finding a Way Home: André Holland Never Rests
Age Has No Expiration When It Comes to Talent
Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard
If We Picked the Winners: The 97th Academy Awards
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
14 Underrated Movies of 2024
The Great Craft of 2024
My Night at the Critics Choice Celebration of Black Cinema and Television
Ted Danson Stars in Lovely, Moving “A Man on the Inside”
Black Harvest Film Festival 2024 Preview
André Holland Talks Deleted Scenes from “42”
The State of the 2024 Oscar Race
TIFF 2024: The Cut, The Luckiest Man in America, Nutcrackers
Wrapping Up My Experiences at the 2024 Telluride Film Festival
Telluride Film Festival 2024: Nickel Boys, The Piano Lesson, September 5
Telluride Film Festival 2024: Memories for a Lifetime
Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
True To Yourself: James Gray on James Gray’s New York
Has The Needle Moved on the Impact of Women in Cinema for 2023?
The True Triumph of Robert Downey Jr.’s Second Act
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
Nine Major Omissions from the 2024 Oscar Nominations
Sundance 2024: Exhibiting Forgiveness, Ponyboi, Stress Positions
Sundance 2024: Sebastian, Girls Will Be Girls, Brief History of a Family
The 15th Annual AAFCA Awards Announces Award Recipients
How We Got Here: Ava DuVernay on Origin
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
