
Titus: The Masterpiece that the Cinematic Greatness of 1999 Obscured
A stealth candidate for the greatest film of 1999.
A stealth candidate for the greatest film of 1999.
Five years ago, Jordan Peele unleashed his follow-up to the Oscar-winning Get Out, and audiences tripped over each other to unpack its many meanings. The film not only redefined the way we approach puzzle films, but how we should look at Peele’s entire career.
A testimonial about the power of the Ebertfest Film Festival at it’s 25th Anniversary.
A salute to the directors—including Barry Jenkins, Christopher Nolan and Wayne Wang—who did a lot with very little money.
Regina Taylor is partnering with Columbia College Chicago on a contest that gives students a platform for social justice.
Our series on the future of film gets to how the theatrical experience has changed through an interview with Fathom Events CEO Ray Nutt.
The Bourne Identity director made headlines by threatening to boycott the premiere of his new movie, Road House. It’s just the latest example of how this idiosyncratic filmmaker can often be his own worst enemy—even when his movies end up being great.
An interview with the creative genius behind A24’s Problemista.
A video game review of the newest Sony exclusive.
A tribute to one of the best characters actors to ever do it.
In her new thriller Sleeping Dogs, the Guardians of the Galaxy star plays a woman who cannot be trusted. She talks about the power of disguises, getting over being an anxious kid and why she swears she’s not trying to be a scene-stealer.
Diarra Kilpatrick has a new TV show that blends mystery and comedy. At least one of those elements works enough to make it worth a look.
The filmmaker behind Bad Luck Banging or Loony Porn has returned with a three-hour dark comedy called Do Not Expect Too Much from the End of the World. The filmmaker sat down with us to discuss his complex film and the connection from the silent film era to TikTok.
The star of Late Night with the Devil discusses his lifelong love of horror movies—and how they’ve helped him navigate the terrors of the world and the ones inside himself.
On four documentaries from SXSW 2024, including ones about Diane Warren and Bon Jovi.
X-Men ’97 picks up where the animated series left off, clearing the high bar set by fans of the original.
Five of James Gray’s films have been collected on The Criterion Channel under the banner of James Gray’s New York. The acclaimed filmmaker sits down to discuss what those works mean to him now and where he’s headed next.
On three unique films from the SXSW Film Festival.
On three dramas from SXSW, including the latest work from Colman Domingo.
An FFC looks at a Jonathan Glazer masterpiece on its tenth anniversary.