Paul Haggis on “Third Person,” “Crash,” Scientology and Truth
Interview with Paul Haggis, director of Crash and Third Person.
Interview with Paul Haggis, director of Crash and Third Person.
A report on the weekend presentation of “White House Butler Down,” J. Hoberman’s simultaneous screening of “The Butler” and “White House Down.”
MZS takes a hard-hitting, investigative look at his dad.
Spend Roger Ebert’s birthday with us at a virtual celebration for the special day and preview of Steve James’ “Life Itself”.
Djimon Hounsou, star of DreamWorks’ How to Train Your Dragon 2, on his villainous new role, the art of voice acting, and what he searches for in his career.
Remembering Ruby Dee; “The Fault in Our Stars” succeeds and fails; Amazon vs. Warner Bros.; The case against “Edge of Tomorrow”; Trials of a documentarian.
Is “The Goldfinch” art?; The meta-homophobia of “22 Jump Street”; Seinfeld on celebrity; Lack of TV writer jobs in NYC; “Orange” is the new “Hill Street Blues.”
Re-reading Ramona through a parent’s eyes; what happens when female villains and avengers drive movies; Shonda Rhimes disses hashtag activism; creepy Paddington Bear.
Libby Hill recaps the 2014 ATX Television Festival.
The tortured history of Entertainment Weekly; Francis Coppola predicts the future of cinema again; the hypocrisy of Hollywood when it comes to abortion; Stanley Kubrick’s boxes.
An interview with Karina Longworth, the former chief film critic for LA Weekly, now the host of “You Must Remember This.”
A preview of the 2014 Los Angeles Film Festival.
TNT & USA are premiering or returning eight series in the next two weeks and yet they get half the press of other networks. What are they doing right and are any of the new shows worth a look?
The verdict on “Orange Is The New Black: Season 2”; Three masters and their audience; Arthur C. Clarke predicts the Internet; Nathan Rabin on “Blue Steel”; Indie alternatives to “Edge of Tomorrow.”
The making of “Ghostbusters”; Neil deGrasse Tyson doesn’t hate movies; Kenneth Turan’s favorite films; Aspiring movie critics in Kenya; American voyeur in Montreal.
The joy of “Orange is the New Black” comes in how it unfolds, the ways the writers and performers constantly defy expectations.
Talk to the animals; Best films of the 1960s; Low ratings for cable networks; Tom Cruise Hair Quiz; Oscar Wilde’s journalism.