The World Won’t Stop Burning: The Films That Paved “Fury Road”
A feature on the films that connect The Road Warrior to Fury Road, the films influenced by the former which, in turn, influenced the latter.
A feature on the films that connect The Road Warrior to Fury Road, the films influenced by the former which, in turn, influenced the latter.
An interview with the director of Pariah and Bessie.
A Cannes report on new films by Maiwenn and Joachim Trier.
A report on the Lumière presentation from this year’s Cannes Film Festival.
At a panel hosted by Chaz Ebert, journalists and film industry members shared their thoughts on empathy.
Ben Kenigsberg goes looking for alternative fare at Cannes—and finds Hollywood wannabes.
A review of the Cannes premieres of the latest from Todd Haynes and Ida Panahandeh.
An interview with the writer and director of “One Floor Below”.
An obituary of filmmaker Prashant Bhargava, director of Patang and special guest of Ebertfest in 2012.
Ben Kenigsberg reviews Arnaud Desplechin’s lovable coming-of-age prequel “My Golden Days.”
Chaz Ebert and Shatterglass Films announced they will be making a narrative feature film about Emmett Till.
Barbara Scharres reports from Cannes 2015 on a disastrous screening of Gus Van Sant’s “The Sea of Trees.”
Woody Allen on the meaninglessness of everything; The greatness of “Walk Hard”; Dean Cundey on “The Thing”; R.I.P. B.B. King; Literature should be “triggering.”
A Cannes report on the latest from Yorgos Lanthimos and Woody Allen.
A Cannes dispatch on new films from Laszlo Nemes, Naomi Kawase, and Radu Muntean.
A dispatch from Cannes on Naomi Kawase’s “An” and Radu Muntean’s “One Floor Below”.
Ben Kenigsberg reviews Philippe Garrel’s “In the Shadow of Women,” which opened Directors’ Fortnight.
A video of Billy Baxter’s 1980 documentary of the Cannes Film Festival, hosted by Rex Reed.
A piece on the themes of Andrew Niccol’s work in light of the release of Good Kill this weekend.