Blog Posts That Mention Gay
Neil Patrick Harris Gets His Gay Groove Back in Darren Star’s Frothy Sitcom Uncoupled
Clint Worthington
ABC’s Gay Civil Rights Epic Mini-series “When We Rise” a Revolution Itself
Nick Allen
In Her Own Words: Asif Kapadia and James Gay-Rees on “Amy”
Matt Fagerholm
The nation’s smallest Gay Pride parade
Roger Ebert
What makes ‘Capote’ a gay film?
Roger Ebert
Gay-baiting Cruise for cheap laughs?
Roger Ebert
The gayness helped
Roger Ebert
Gay agenda: Is that all there is?
Roger Ebert
Sidestepping some gay questions
Roger Ebert
The “gay” Dilemma: If it’s a joke, what does it mean?
Jim Emerson
Brüno: “It’s like Transformers but not as gay”
Jim Emerson
Brokeback Jack and the gay “Departed”?
Jim Emerson
On actors who are too gay to be in the Musicals
Jim Emerson
Yes, gayer than “Dreamgirls”
Jim Emerson
A gay kid’s long, barely-repressed sob
Michał Oleszczyk
John Waters: Don we now our gay apparel
Roger Ebert
Brüno? A gay stereotype? You gotta be kidding!
Roger Ebert
Bentonville Film Festival 2026 Preview
Brian Tallerico
The 20 Best Films of 2026 So Far
The Editors
Humor Is a Weapon: A Conversation with John Waters
Marya E. Gates
Cannes 2026: Full Phil, Sanguine (Species), Jim Queen
Zachary Lee
Cannes 2026: A Man of His Time, Moulin, Coward
Robert Daniels
Cannes 2026: The Man I Love, Orange-Flavoured Wedding
Ben Kenigsberg
Cannes 2026: Club Kid, Marie Madeleine
Robert Daniels
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
Lisa Nesselson
Prime Video’s “Kevin” Won’t Help With the Existential Felines
Clint Worthington
SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer
Brian Tallerico
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
Marya E. Gates
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
Miriam Balanescu
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket
Michelle Jaworski
Joan Cusack: Best Supporting Energy
Jen Johans
Keep on Dreaming: Reverend Jesse Jackson (1941-2026)
Brandon David Wilson
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
Clint Worthington
Sundance 2026: If I Go Will They Miss Me, Night Nurse, Jaripeo
Robert Daniels
Sundance 2026: Big Girls Don’t Cry, Hold Onto Me, Tell Me Everything
Marya E. Gates
Sundance 2026: Leviticus, Buddy, Mum I’m Alien Pregnant
Robert Daniels
The Many Reasons Women Are Watching “Heated Rivalry”
Danielle Mathias
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
Robert Daniels
40 Shows We Can’t Wait to Watch in 2026
Brian Tallerico
The Great Performances of 2025
The Editors
The 25 Best TV Shows of 2025
The Editors
Sophomore Season of Prime Video’s “Fallout” Gets a Bit Lost in the Desert
Brian Tallerico
HBO’s “Heated Rivalry” is the Sexiest and Most Significant Queer Show of the Year
Kaiya Shunyata
What I Know is What I Am: Jimmy Cliff (1944-2025)
Scout Tafoya
Swan Song: Udo Kier (1944-2025)
Clint Worthington
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
Nell Minow
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
Clint Worthington
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Cristina Escobar
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
Michael Phillips
TIFF 2025: Palestine 36, The Choral, Peak Everything
Marya E. Gates
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
Isaac Feldberg
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Richard Roeper
Tribeca Film Festival 2025: The Documentaries
Peter Sobczynski
The 20 Best Films of 2025 So Far
The Editors
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Ben Kenigsberg
The Red Carpets of the 2025 Chicago Critics Film Festival
Zachary Lee
Cannes 2025: A Useful Ghost, Arco
Ben Kenigsberg
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Matt Zoller Seitz
Red Meat: Steak ‘n Shake Goes Nazi
Matt Zoller Seitz
Women Develop New Models of Heroism in Festival Docs
Cristina Escobar
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
Nandini Balial
A Look at the Rich Tapestry of Films Coming from South Africa
Niani Scott
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
The Editors
Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard
Nandini Balial
Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
Matt Zoller Seitz
10 Great Performances from Sundance 2025
Brian Tallerico
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Robert Daniels
Sundance: Dead Lover, Touch Me
Robert Daniels
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Brian Tallerico
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Brian Tallerico
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Brian Tallerico
Sundance 2025: Twinless, Ricky, Jimpa
Robert Daniels
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Brian Tallerico
The 25 Best TV Series of 2024
The Editors
2025 Sundance Film Festival Announces Ambitious Program
Brian Tallerico
Solid Acting Saves the Familiar Premise of “Get Millie Black”
Nandini Balial
“She Just Had an Accident”: “Seed of Chucky” at 20
Matt Cipolla
Living Forward: Adam Elliot on “Memoir of a Snail”
Zachary Lee
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
Nell Minow
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
Jourdain Searles
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
Cristina Escobar
A Careful Performer: Maggie Smith (1934-2024)
Dan Callahan
FX’s “English Teacher” Gets an Incomplete Grade for Now
Brian Tallerico
In Memoriam: Alain Delon
Farran Smith Nehme
Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing
Tim Grierson
“This Is The Life, Isn’t It?” Martin Mull: 1943-2024
Peter Sobczynski
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
Nell Minow
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