From the Grand Poobah in Toronto: It was slightly chilly and I threw on my Toronto International Film Festival jacket and hurried out of the hotel. Only an ooh and an ahh from behind me at the Elgin Theater alerted me that I was wearing my official Roots 20th anniversary jacket. Since 2010 is the festival's 35th anniversary, that's not bad, n'est-ce pas? I hope that at the theater my T-shirt wasn't peeking out.
The Grand Poobah writes: I carry a little Canon S60 digital camera so small it tucks in my jeans pocket. Sometimes, all by itself, it will take a great photograph. Here are Lena and Werner Herzog. She is the acclaimed photographer. This was taken shortly after Herzog and Errol Morris held their lively onstage conversation, which I video recorded from the front row.
"Man Push Cart."
Full list of nominees here.
I haven't seen all the nominees ("The Dead Girl," "American Gun," "Wristcutters: A Love Story," etc.), but, as always, there are some most welcome nominations. (Links below go to my reviews, festival coverage -- or even Opening Shots.)
"Man Push Cart," for best first feature (director Rahmin Bahrani), male lead (Ahmad Razvi) and cinematography (Michael Simmonds). Opening Shot treatment here.
"Half Nelson," for best feature, director (Ryan Fleck), first screenplay (Anna Boden & Fleck), male lead (Ryan Gosling), female lead (Shareeka Epps)
"Pan's Labyrinth," for best feature and cinematography (Guillermo Navarro). (But not Guillermo del Toro for director and screenplay?!?!?!)
"Old Joy," for the John Cassavettes Award.
Paul Dano for "best supporting male" (that's the IFP's category) in "Little Miss Sunshine," which is also nominated for best feature, screenplay, directors -- and Alan Arkin, also nominated for supporting male. I love Arkin (it's all about "Little Murders," people!), but I thought Steve Carell and Dano stole the movie, with Toni Collette and Greg Kinnear close behind.
Catherine O'Hara for best female lead in "For Your Consideration."
Robert Altman, best director for "A Prairie Home Companion."
Biggest disappointments: No documentary nominations for "51 Birch Street" or "The Bridge." The former may have been too deceptively simple and artless (in truth, it's a complex work of art) and the latter too cold and disturbing for many in the Indie tent-party crowd.
I'm still technically on break, but I'll be back to blogging (and editing) Wednesday.