Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
NEW YORK -- It looked like a shrink's office. The sun was filtering through the curtains and the air conditioner hummed reassuringly, and, after a subtle moment of jockeying for position, I got the couch and Woody Allen took the big overstuffed, black leather chair.