Rarely has a remake felt more contractually obligated than the 2015 version of Poltergeist.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Sheila writes: The Ebertfest 2015 lineup has been announced! Chaz writes, "This year as we approach the second anniversary of your transition and the third Ebertfest without you, we decided to bring it all back to the character studies that you loved so much... The films that tell stories about something, about who we are and why it is important to have empathy for each other. And you loved showing them in our gorgeous movie palace, the Virginia Theater, projected on the mega screen by the improbably named James Bond. We invited back some of the filmmakers you admired, like Ramin Bahrani and James Ponsoldt. Roger, you would love this line-up!" Check out Chaz's full essay here. We hope to see many of you at Ebertfest!
A preview of Ebertfest 2015.
The best of Sundance 2015.
Performance highlights of Sundance 2015.
A review of James Ponsoldt's "The End of the Tour" with Jesse Eisenberg and Jason Segel.
Our most anticipated films of the 2015 Sundance Film Festival.
Highlights and schedule for the 2014 Chicago Critics Film Festival.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Matt Zoller Seitz's Top 10 films of 2013.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
Slut shaming in geek culture; Rock Hudson's wife tape-recorded herself confronting her husband about his sexual orientation; how Michael Douglas used his own experience to flesh out Liberace; Carey Mulligan might play Hillary Clinton in a biopic; New Yorker cartoonists talk about the delicate art of collaboration; Upstream Color comes to Netflix instant.
PRESS RELEASE: CHAMPAIGN, Ill. -- Terrence Malick's 1978 film "Days of Heaven" won an Oscar for best cinematography, and Roger Ebert likely found that no surprise. It is "above all one of the most beautiful films ever made," Ebert said in a 1997 review. So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big-screen, newly renovated Virginia Theater in downtown Champaign.
Time travel, as we all know, is (1) impossible in any real-life, non-quantum sense, and (2) irresistible to filmmakers. Rian Johnson's Toronto entry "Looper" asks us to accept it as a premise, and you know what? It's handled more realistically here than anything in the plots of the average superhero movie. One of the strengths of time travel is its demonstration that if we could travel through time and meet our parents or even ourselves at an earlier age, it could be an unbearably emotional experience.
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.