Sometimes, it feels as if we are eavesdropping on day-to-day conversations rather than just hearing the usual litany of platitudes and regrets.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A critic looks back on the films that formed the way she reads cinema and life.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Hollywood studios face huge upheavals; why feminists don't get drunk; why 'Homeland' is falling apart; the secret snobbery of JFK's Camelot; decoding critics' favorite 'Simpons' quotes.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Writer-director-producer David Simon (creator of "The Wire," "Generation Kill," "Treme") has a piece at Salon headlined: "Media's sex obsession is dangerous, destructive," in which he eviscerates Roger Simon (no relation) for his Politico column, "Gen. David Petraeus is dumb, she's dumber." And The Week offers a round-up of trashy "journalistic" misbehavior, " The David Petraeus affair: Why the media's coverage is sexist." I don't know. "Sexist" seems like an understatement. Puerile, snotty, crass, raunchy, snide, scary, onanistic, stupid, instructive, pointless -- it's all those things, too. At the very least.
Marie writes: "let's see what happens if I tickle him with my stick..."(Photo by Daniel Botelho. Click image to enlarge.)
Rarely does a TV show arrive with lower expectations than the annual Emmy Awards telecast. It's a given that the thing will suck. Even so, this year's -- the 64th -- managed to come up short and disappoint. And it wasn't one of those "so bad it's good" campy things you can enjoy making fun of, either. It was more like one of those "so bad it's lousy" things that leave you incredulous and drained of the will to live.
Marie writes: Recently, a fellow artist and friend sent me the following photos featuring amazing glass mosaics. She didn't know who the artists were however - and which set me off on a journey to find out! I confess, the stairs currently continue to thwart me and thus remain a mystery, but I did uncover who created the "glass bottle doorway" and was surprised to learn both its location and the inspiration behind it. (click image.)
Marie writes: I can't prove it but I'm convinced they're related.
Roger Ebert's best movie lists from 1967-present
TORONTO – At the halfway point of the 2005 Toronto Film Festival, one thing is clear: This is the best autumn movie season in memory. One film after another has been astonishingly good. Critics gathered in the hallways after the Varsity press screenings, talking in hushed tones as if witnesses to a miracle.
TORONTO – It was seven years and many troubles in the making, but Deepa Mehta’s “Water” was cheered here Thursday on opening night at the Toronto Film Festival. The heart-rending story of an 8-year-old bride forced onto a lifetime of widowhood caused such controversy during its filming that Mehta, born in India, now a Canadian, had to move the production to Sri Lanka for the safety of her crew.
Here are some of the highlights, and otherwise, of the first four days at Sundance:
PARK CITY, Utah--I have just spent an hour with the 2003 program for the Sundance Film Festival, and I am churning with eagerness to get at these films. On the basis of track records, this could be the strongest Sundance in some time--and remember, last year's festival kicked off an extraordinary year for indie films.
There is a kind of shyness, a modesty, about Francis Ford Coppola that is so surprising. Here is the director of "The Godfather," and the epic "Apocalypse Now," and the paranoid psychodrama "The Conversation," and he talks about whether he has the right to put his name above the title. Kids out of film school put their names on their first films, and here he is explaining why his movies are called "Mario Puzo's The Godfather" and "Bram Stoker's Dracula" and "John Grisham's The Rainmaker."