Fantasia 2019: Blood on Her Name, 1BR
Reviews of two noteworthy directorial debuts that recently had their world premiere at Fantasia.
Reviews of two noteworthy directorial debuts that recently had their world premiere at Fantasia.
Reviews from Fantasia of South Korean box-office hit Extreme Job and the mediative horror movie, Mystery of the Night.
Reviews from the Fantasia Film Festival of the beguiling hitman story Bruce McDonald’s Dreamland, and a special presentation of a rare horror sequel.
A preview of this weekend’s Japan Cuts festival in New York City.
An article about the African American Film Critics Association receiving the We Are Inclusion Award from the National Association of Latino Independent Producers.
Reviews from Fantasia of two films, including the sci-fi suburban horror story Vivarium and the latest Critters movie.
A review from Fantasia of a new documentary that celebrates Phantom of the Paradise and its fanbase.
A dispatch from Fantasia Festival, including the latest in Hideo Nakata’s Ringu franchise and a supernatural indie that’s a family affair.
A look at the Mendocino Film Festival and conversation with Program Director Claudia Puig.
A preview of this year’s Fantasia International Film Festival, including our most anticipated movies.
A look at the 2019 New York Asian Film Festival, starting this weekend.
A report from Cinepocalypse 2019 on the latest Into the Dark film, Culture Shock.
One of the more singular moviegoing experiences that I can recall attending.
Reviews from Cinepocalypse of two world premieres, including the latest by horror director Lucky McKee.
An article about the screening of Tayarisha Poe’s “Selah and The Spades” set for Sunday, June 16th, at BAMCinemaFest.
A piece on the premiere of a film about Rodrigo Duterte.
A preview of the 2019 BAMCinemaFest with four highlights: So Pretty, The World is Full of Secrets, Vision Portraits, and The Mountain.
A preview of Chicago’s Cinepocalypse festival, which runs from June 13 to 20 at the Music Box Theater.
Our final video report from the 2019 Cannes Film Festival.
Chaz Ebert shares her thoughts on Ron Howard’s new documentary, “Pavarotti,” and presents an appreciation of the Lyric Opera.