Nick Hornby’s Screenplays and the Female Experience
How Nick Hornby became one of the most valuable writers for women in Hollywood.
How Nick Hornby became one of the most valuable writers for women in Hollywood.
An excerpt about “Vertigo” from the November issue of “Bright Wall/Dark Room.”
A piece on David Lynch’s unique filmmaking in light of “Mulholland Dr.’s” recent Criterion release.
Why comic books are radical; How Franklin was born; The Monkees’s “Head”; Burt Reynolds has some regrets; The “Ishtar” effect.
Why Tarantino shouldn’t apologize; Gender-flipped “Ocean’s Eleven”; “Mulholland Dr.” is a movie and a TV show; Trumbo sisters are proud of their father; Why old women are the face of evil.
An interview with “World of Tomorrow” director Don Hertzfeldt.
Nighthawks at the cinema; Rebecca Parrish on “Radical Grace”; Suicide harder to read than murder; John Carpenter on “Vampires”; “Sicario” not yet a reality.
An overview of Ralph Bakshi’s masterful career in animation.
Assistant Editor Nick Allen tackles the Movie Love Questionnaire.
Guillermo del Toro’s key theme; Silent frame rates and DCP; Exciting news from Sheila O’Malley; New “Star Wars” music; Unsinkable Effie Brown.
A book review of “Gilliamesque: A Pre-Posthumous Memoir.”
The final trailer for “Star Wars: The Force Awakens” has arrived.
An excerpt from “Facing Blackness: Media and Minstrelsy in Spike Lee’s Bamboozled” by Ashley Clark.
Raiders of the lost web; Eight highlights of Chicago film fest; Sexism of Bond Girls; Tarantino chats with Ellis; Enablers of pedophile culture.
“The Martian” avoids the conventional; Jennifer Lawrence slams industry sexism; The Koch Brothers’ toxic empire; Pleasures of “Magic Mike XXL”; Movie titles lost in translation.
An excerpt from Jeffrey Westhoff’s book, “The Boy Who Knew Too Much.”
The October installment of Bright Wall/Dark Room, which focuses on “The Knick.”
An essay on David Cronenberg’s “The Brood.”
On the set of “The Knick”; Swedish cinema gives women a bigger role; When Amazon dies; Stories of “Star Wars” extras; Chatting with Abi Morgan.