Bette Davis: Cinematic Medusa
An appreciation of the lasting power of Bette Davis.
An appreciation of the lasting power of Bette Davis.
An updated look at the history of women in film from Carrie Rickey.
A chat between our three female film critics about the lasting power of “Thelma and Louise” on its 25th anniversary.
An appreciation of Krzysztof Kieślowski’s “The Double Life of Veronique” on its 25th anniversary.
A list of the content of Women Writers Week 2016.
Melissa Broder of @SoSadToday; Parker Posey on the boys’ club of Hollywood; Legacy of Disney’s Mary Blair; Symphonies of steel and stone; Karyn Kusama on “The Invitation.”
An appreciation of the late novelist and filmmaker Nora Ephron.
Albert Brooks on “Defending Your Life”; Profile of Frank Sinatra Jr.; Comic Con on the couch; Sean J.S. Jourdan on “Teddy Boy”; Sterling Hayden’s towering screen presence.
A book review of the companion for the now-delayed “The Little Prince.”
A look at the devolving marketplace in America for foreign language films.
A PA recalls working with PTA on “There Will Be Blood”; Sarasota Film Festival unveils line-up; Paul Reubens on Phil Hartman; The devil down south; Academy apologizes for Asian jokes.
Oral history of “The Golden Girls”; Spotlight on Bradley Bischoff; Francis Lawrence on “Mockingjay Part 2”; Louis C.K. on meanness; David W. Packard rescues classic films.
Crossword plagiarism scandal; Marcia Clark on FX’s O.J. series; Licensing ambient stadium music; Jenny Beaven on her Oscar outfit; Hollywood’s enduring whitewashing.
An examination of how Terrence Malick’s work reflects Christian theology.
An excerpt from the March 2016 issue of Bright Wall/Dark Room about Miller’s Crossing.
A news brief on the upcoming Ebert Interruptus at the Conference on World Affairs.
Rise of American authoritarianism; Dream of the political truth-teller; Jerry Lewis and Martin Scorsese; Hilarity of “The Lion in Winter”; Hollywood’s costly lack of diversity.
Dietrich Brüggemann on “Heil”; Bottom line is discrimination in disguise; How central casting found racial types; Secret history of “Endless Summer”; Mexican films still unloved in U.S.
An interview with the director of Stop, and a presentation of the short film itself.