Why Are Women Dissed and Dismissed in the Film Industry?
A feature on the state of female creatives in Hollywood.
Features
Let’s Start Talking: On the Powerful A Concerto is a Conversation
A feature about an Oscar shortlisted film about music and race.
The Annotated Table of Contents for Women Writers Week 2021
An annotated table of contents spotlighting all the writers contributing to Women Writers Week 2021 at RogerEbert.com.
The Queen’s Gambit: On and Off the Board
A feature on the power of The Queen’s Gambit.
Five Female Directors Who Made Waves in 2020
A feature on five memorable female directors from 2020.
Female Film Critics Are More Important Than Ever: A Special Event
A preview of an event this evening co-hosted by Cinema Femme and CherryPicks.
Updating a Year with Women
A feature on watching films only directed by women and how that has been easier in the streaming era.
19 Films That Celebrate the Art of Female Friendship
A feature on some of the best representations of female friendship in movie history.
The Smoke Gets In Your Eyes Cinematic Universe
A feature on the use of the wonderful song Smoke Gets in Your Eyes across multiple films.
Book Excerpt: Becoming Alien: The Beginning and End of Evil in Science Fiction’s Most Idiosyncratic Film Franchise by Sarah Welch-Larson
An excerpt from a new book about the Alien movies from a different perspective.
The Case for Bo Burnham as 2020’s Best Supporting Actor
In praise of the work of Bo Burnham in Promising Young Woman.
Women Writers Week 2021: Table of Contents
A table of contents featuring all the content from Women Writers Week 2021.
When Catharsis Doesn’t Cut It
A feature on the emergence of a new canon of films about vengeance after rape, including the upcoming Rose Plays Julie and Violation.
The Energy Can’t Last: On the Grimy American Fringes of Jeremy Saulnier
A feature on the work of Jeremy Saulnier.
Two by Louis Valray: La Belle de Nuit and Escale
A feature on two French films recently made available through MOMA.
On the Graceful Work of Composer Emile Mosseri
A look at the work of composer Emile Mosseri, the man behind the scores for The Last Black Man in San Francisco, Homecoming, Kajillionaire, and Minari.
Book Excerpt: This is How You Make a Movie by Tim Grierson
An excerpt from Tim Grierson’s upcoming book about moviemaking.
A New Mexican Canon: The Filmmakers Rebalancing the Narrative of Their Country
A feature on three recent Mexican films that feel like the start of a new form of representation for that country.
