Bright Wall/Dark Room October 2021: Parenting, The Pandemic, and Paw Patrol: The Movie by Andrew Root
An essay by Andrew Root about Paw Patrol: The Movie, as excerpted from the latest issue of Bright Wall/Dark Room.
An essay by Andrew Root about Paw Patrol: The Movie, as excerpted from the latest issue of Bright Wall/Dark Room.
A brief review of the excellent new volume by critic Jason Bailey.
An excerpt from the excellent new book about New York on film, this one about Taxi Driver.
Bill Ryan celebrates the nine horror films that Val Lewton produced for RKO between 1942 and 1946, like The Seventh Victim and Cat People.
Jana Monji visits the Academy Museum of Motion Pictures, which opened on September 30.
Tony’s is a story of modern American masculinity, middle-aged sordidness and sorrow; he is saggy around the gut, bruised at the knuckles, and tender in the heart.
Our monthly series spotlights a new short film by Caitlyn Greene.
An essay by Ethan Warren about Almost Famous, as excerpted from the latest issue of Bright Wall/Dark Room.
A look back at the power of Drive on its tenth anniversary.
Thoughts on the best of the New York Film Festival, including Joel Coen’s The Tragedy of Macbeth, starring Denzel Washington and Frances McDormand.
On three Midnight Madness films from TIFF, including two of the best horror films of the year.
Thoughts on three TIFF films, including the latest from Celine Sciamma and Jane Campion.
A presentation of the short film Ava’s Dating a Senior!, and an interview with writer/director Frédéric Da.
An appreciation of the themes of Lisa Joy’s Reminiscence, now on HBO Max.
A masterful negotiation of the horror and comedy genres that’s as effective today as it was 40 years ago.
An appreciation of Lincoln, its theatrical roots, and how it merges the voices of Tony Kushner and Steven Spielberg.
On M. Night Shyamalan’s Eastrail 177 Trilogy and how it reflects comic book culture.
An excerpt from the new book from Seventh Row Publishing.
On three films from this year’s Fantasia, including one fest stand-out.
A horror movie without the blood and guts, about how we become our parents.