
Retrospective: Oscar Micheaux and the Birth of Black Independent Cinema
A preview of Film Forum’s upcoming retrospective on the pioneer of early Black cinema, whose influence can be seen in the careers of Tyler Perry and Spike Lee.
A preview of Film Forum’s upcoming retrospective on the pioneer of early Black cinema, whose influence can be seen in the careers of Tyler Perry and Spike Lee.
The upcoming retrospective at MOMI and the Japan Society shines a light on the Japanese filmmaker’s prolific, contemplative works.
An interview with the director of the intimate and desire-filled Lithuanian film Slow about presenting a complex portrayal of asexuality.
In honor of its 25th anniversary re-release, we look at the George Lucas movie’s greatest legacy: paving the way for studios to extend their aging franchises by telling origin stories.
Robert Eggers’ third film answers the question, “What would Conan the Barbarian look like if Conan himself directed it?”
We look back at movies like Boy Kills World whose directors decided to keep tinkering after their debut—for better or worse.
Alexander Payne’s Election turns 25 this year. Its legacy has been complicated.
As he proves again with Challengers, the Oscar-nominated filmmaker is uniquely attuned to the joy, pain and sexiness of modern romance.
An article about the 58th installment of the Karlovy Vary International Film Festival.
The Harold Lloyd comedy helped invent the modern rom-com, a frothy form of sentimental escapism.
This loving, ambivalent 1999 film about Andy Kaufman reminds us what so many Oscar-bait dramas get wrong when trying to portray greatness.
The writer-director’s acclaimed movies focus on nuanced, layered protagonists who don’t succumb to “Strong Female Character” cliches. A big reason his latest, Civil War, doesn’t work as well is it’s the first time he’s viewed one of his heroines so narrowly.
Matthew Modine, who stars as a cycling coach for troubled youth in Hard Miles, reflects on a lifetime of acting.
It’s a truly great film that can be endlessly appreciated and analyzed.
In Crimes of the Future, Infinity Pool, Immaculate, and The First Omen, the fear and anxiety of losing control feels more pertinent and terrifying than ever.
There was originally supposed to be one more scene before the end of Unforgiven, and by cutting it, Clint Eastwood cemented the film’s masterpiece status
The streaming platform’s selection of Clouds of Sils Maria, Personal Shopper and Certain Women pinpoints the crucial moment the Twilight star became a formidable indie force.
Roger Ebert’s Top 10 lists each year always contained a few surprising picks that said a lot about what he valued in moviegoing and criticism.
The settlement of a lawsuit against the creators of an unauthorized AI ripoff of George Carlin offers a glimmer of hope for artists sick of being exploited by tech companies