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Gray’s “Elegy Written in a Country Churchyard”
Written in the Flesh: A Crash Course in David Cronenberg
Black history written with lightning
Roger Ebert’s Best and Worst Alien Movies
AMC Turns “Interview With a Vampire” Into the Delicious, Malicious “The Vampire Lestat”
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Ten Great Performances of Cannes 2026
Cannes 2026: Elephants in the Fog, Yesterday, The Eye Didn’t Sleep, A Girl’s Story
Hearing a Movie: Daniel Roher on “Tuner”
Cannes 2026: Full Phil, Sanguine (Species), Jim Queen
Cannes 2026: Everytime, Ben’Imana, Titanic Ocean
Cannes 2026: A Man of His Time, Moulin, Coward
Cannes 2026: The Black Ball, Bitter Christmas
Netflix’s “The Boroughs” Offers a Clever Spin on the “Stranger Things” Formula
Cannes 2026: The Meltdown, La Frappe, I’ll Be Gone in June
Cannes 2026: Clarissa, Atonement, Butterfly Jam
Prime Video’s “Off Campus” is Big on Romance, Music, and Spice
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
An Act of Translation: David Lowery on “Mother Mary”
Female Filmmakers in Focus: Sophy Romvari on “Blue Heron”
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
Peacock’s “The Miniature Wife” is Big on Feelings, and That’s Not Nothing
Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
Ebertfest Announces Expanded Lineup, Special Guests, and Final Festival Programming for “The Last Dance” Edition
SXSW 2026: baby/girls, Manhood, Drift
SXSW 2026: Brian, Basic, Seekers of Infinite Love
SXSW 2026: The Sun Never Sets, A Safe Distance, Seahorse
Martin Scorsese: All the Films is a Must-Own for Movie Lovers
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
Monstrous Women: From Medusa to the Bride and Rumi Too
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
“The Bronze” at 10: How a Washed-Up Gymnast Became a Cult Antihero
Joan Cusack: Best Supporting Energy
Ebertfest Unveils Initial Slate for Final Festival, “The Last Dance”
Twisty, Funny HBO’s “DTF St. Louis” is an Addictive Watch
Christy Lemire Bids a Fond Farewell to RogerEbert.com
“Monarch: Legacy of Monsters” Maintains Momentum in Confident Second Season
Chaz Ebert Remembers Reverend Jesse Jackson: Oct 8, 1941 – February 17, 2026
Netflix’s Massive Hit “The Night Agent” Returns with Confident Third Season
ABC’s “Scrubs” Returns to Network TV as if It Never Clocked Out
Highlights of Roger Ebert on Black Filmmakers for Black History Month
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
I Will See You In Dreams: Akinola Davies Jr. on “My Father’s Shadow”
Stop By Peacock’s “The Burbs” for People Watching and Murder
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
Sundance 2026: Table of Contents
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Turns and Tonal Shifts: Jason Biggs and Meaghan Rath on “Untitled Home Invasion Romance”
The Archaic Mother’s Embrace: How “If I Had Legs I’d Kick You” and “Die My Love” Reframe the Monstrous
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
2026 Sundance Preview: 20 Films We Can’t Wait to See
“Agatha Christie’s Seven Dials” Will Send Your Snooze Button Into Overdrive
The Many Reasons Women Are Watching “Heated Rivalry”
Glitz and Glamour: A Report from the 2026 Palm Springs Festival Gala
Craziness and Contradiction: Kirill Serebrennikov on “Limonov: The Ballad”
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
The 25 Best TV Shows of 2025
The 8 Essential Films of Rob Reiner’s Career
As You Wish: Rob Reiner (1947-2025)
The Ten Best Films of 2025
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
What I Know is What I Am: Jimmy Cliff (1944-2025)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
Their Show Cracked Open the World: Siskel & Ebert Memories
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
“Landman” Might Be the Dumbest Fracking Show on TV
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
HBO’s “The Seduction” Surprises without Sizzle
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
How to Define Freedom: Nia DaCosta on “Hedda”
NYFF 25: The Currents, Gavagai, Is This Thing On?
