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Gray’s “Elegy Written in a Country Churchyard”
Written in the Flesh: A Crash Course in David Cronenberg
Black history written with lightning
TIFF 2025: Christy, Couture, Steal Away
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Wake Up Dead Man, Rental Family
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
The Most Significant Movie Ever Made
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Josh Larsen on the Return of Cinema Interruptus
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Life is Like a Piano: Tom Lehrer (1928-2025)
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Our Minds Have Been Colonized: Ari Aster on “Eddington”
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
30 Minutes On: “Nashville”
American Badass: Michael Madsen (1957-2025)
Light the Fuse: Lalo Schifrin (1932-2025)
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Cure Your Insomnia with Prime Video’s “Countdown”
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Intro to Our Juneteenth Edition of Black Writers Week 2025
Ossie Davis and Ruby Dee
Then They Will Learn: The Truth Behind Juneteenth
“Zola,” “Anora,” and the DEI Mirage
The 20 Best Films of 2025 So Far
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025: My Father’s Shadow, Enzo, Dalloway
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Remembering Jan Dawson, My Mother-in-Law (Twice)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
The Second Season of “Andor” Stands Tall
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
There’s No Catharsis: David Cronenberg on “The Shrouds”
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
“Hacks” Returns at the Peak of Its Comedic Powers
Female Filmmakers in Focus: The Films of Euzhan Palcy
What to Watch on Netflix: April 2025
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Ambient Comedy: Carson Lund on “Eephus”
Finding a Way Home: André Holland Never Rests
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Writing Her Way: Marya E. Gates on Her New Book
Intro to Women Writers Week
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Screwball in Vermont: “Baby Boom”
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
I Think Of Them As The Work: Gene Hackman (1930-2025)
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Movies to Watch if You Love Bad Bunny
30 Minutes On: “Watership Down”
