Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the second release from Criterion of the World Cinema Project, led by Martin Scorsese.
Marie writes: When I first learned of "Royal de Luxe" I let out a squeal of pure delight and immediately began building giant puppets inside my head, trying to imagine how it would look to see a whale or dragon moving down the street..."Based in Nantes, France, the street theatre company Royal de Luxe performs around the world, primarily using gigantic, elaborate marionettes to tell stories that take place over several days and wind through entire cities. Puppeteers maneuver the huge marionettes - some as tall as 12 meters (40 ft) - through streets, parks, and waterways, performing their story along the way." - the Atlantic
(Click images to enlarge.)
Marie writes: At long last, after two years of mediocre weather compounded by bad timing, the planets managed to align themselves again in my favor and I was finally able to return to Pender Island and where my tale begins....
In just a week the French Riviera will come alive with the hoopla of the 65th Cannes International Film Festival, running this year from May 16 through 27. Despite the international proliferation of film festivals, like it or not, Cannes remains the biggest, most hyped, glitziest and most diverse event the world of film has to offer, the envy of every other festival.
As if the world at large also trembled at the import of the approaching festivities, previous Cannes festivals have been prefaced by volcanic eruptions, hurricane-force storms, national strikes, and bomb threats. What can we expect this year, when the festival officially becomes a senior citizen? Don't look for any rocking chairs along the Croisette, for one thing. Judging by the lineup of major directors represented in the Competition and other official sections, it's more likely that major revelations will be rocking the Palais. And if it's like other years, we can expect the festival will manage to rock a headline-grabbing major controversy or two as well.
For the fourth year in a row, Cannes will open with an American production, Wes Anderson's "Moonrise Kingdom," guaranteeing that name stars including Bruce Willis, Bill Murray, Edward Norton, Frances McDormand, and Tilda Swinton will be gracing the red carpet on Wednesday, May 16 for a glamorous kick-off. Judging by the trailer available online, the real stars may be the large cast of kids in a comedy/drama that looks to be strong on surreal wackiness.
Even a quick glance at the list of films in competition yields an eye-popping number of famous names, including David Cronenberg (Canada), Michael Haneke (Austria), Abbas Kiarostami (Iran), Ken Loach (UK), Cristian Mungiu (Romania), Alain Resnais France), Carlos Reygadas (Mexico), Walter Salles (Brazil), and many more. This competition could be a veritable Olympics of the cinema gods...or not, as sometimes happen, because even world-class filmmakers and certified masters can disappoint.
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!
In her new film “All Good Things,” Kirsten Dunst plays a character who is murdered, maybe. She certainly disappears. The movie is based on a true story of a poor girl who married into a rich family and vanished into thin air. For an actor, that’s a little like playing the Road Runner. You’re moving straight ahead and then suddenly the road disappears. Or you do.
Director Laurent Cantet accepts the Palme d'Or, surrounded by his cast.
For the first time in 21 years, a French film has taken the top prize at the Cannes film festival, and in a rarity for Cannes, the Palme d’Or was awarded unanimously. The prize could have easily been named “The Golden Apple” rather than the The Golden Palm since it went to “The Class” ("Entre Les Murs"), the Laurent Cantet film about a young teacher who tries to reach his class of primarily immigrant children in a school on the outskirts of Paris. Confronted with their apathy and sometimes outright hostility, he questions them in a Socratic fashion until they begin to ask themselves if perhaps an education might be relevant to them. This film moved me to tears and so of course I thought that, in the grand tradition of Cannes, it had no chance of winning the top prize.
CANNES, France -- The 57th Cannes Film Festival heads into its closing weekend with no clear favorite for the Palme d'Or, and with critics generally agreeing there have been good films but no sensation that has pulled ahead of the pack. The most rapturous reception was for Michael Moore's Bush-whacking documentary "Fahrenheit 9/11," but the applause was as much for its politics as its filmmaking.
CANNES, France -- Quentin Tarantino, Charlize Theron, Tom Hanks, Michael Moore, Brad Pitt, Sean Penn and Shrek are converging on this balmy Riviera resort town today, and there may be trainloads of striking French show-biz workers to picket them. The 57th Cannes Film Festival is open for business.
TELLURIDE, Colo. -- At every Telluride Film Festival, there's always the film everyone loves and the film everybody stammers about because they can't put their feelings into words.