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Blog Posts That Mention To
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
An Ode to the Unanswered Questions in “Agnes of God”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Moviehouse on the Edge: IFC Center Picks 20 Films to Commemorate 20 Years in New York
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
My Window into Culture: Rachael Abigail Holder on “Love, Brooklyn”
The Personal Becomes Universal in Moving, Funny “Long Story Short”
“Metal Gear Solid Delta: Snake Eater” is the Definitive Way to Experience This Stealth Game Classic
Netflix’s “Hostage” Fails to Hold the Audience Captive
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
Meet the Writers: Peyton Robinson
Netflix Brings “Wednesday” Back to Nevermore for a Spookier, Stranger Season 2
Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”
Guillermo del Toro to Receive Ebert Director Award at the 2025 TIFF Tribute Awards
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Life is Like a Piano: Tom Lehrer (1928-2025)
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Introduction to the 59th Karlovy Vary International Film Festival
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases
What to Watch on Netflix: July 2025
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson
A Dispatch From the Bentonville Film Festival
59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard
We’re All In This Together: “Brazil” at 40
Netflix’s Third Season of “Squid Game” Limps Its Way To Its Bleak, Cynical Finish Line
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
Death Stranding 2: On the Beach is a Touching Story about Love and Loss
Intro to Our Juneteenth Edition of Black Writers Week 2025
The Rite to Save a Life
You Do Not Encourage a Dodo to Fly: Harris Yulin (1937-2025)
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
I Love You For Who You Are: Sly Stone (1943-2025)
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
What to Watch on Netflix: June 2025
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
What to Watch on Netflix: May 2025
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Your Guide to Ebertfest 2025: Day 4, April 26th
Your Guide to Ebertfest 2025: Day 3, April 25th
Your Guide to Ebertfest 2025: Day 2, April 24th
Prime’s Magnetic “Étoile” Is Guaranteed To Be Your Spring TV Obsession
Your Guide to Ebertfest 2025: Day 1, April 23rd
The CW’s “Sherlock & Daughter” Appears to be Made for No One
Prime Video’s “#1 Happy Family USA” Gives Ramy Youssef the Freedom to Laugh at Post-9/11 Paranoia
In Season 2 of HBO’s “The Rehearsal,” Nathan Fielder Tries to Save Lives
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Prime Video’s “The Bondsman” Takes Kevin Bacon on a Drab Trip to Hell and Back
What to Watch on Netflix: April 2025
Join Chaz Ebert and Sasha-Ann Simons at the University Club of Chicago on April 8, to Discuss “The Death of Empathy”
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Age Has No Expiration When It Comes to Talent
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
Will I Ever Take My Kids to the Movies?
Intro to Women Writers Week
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
True/False 2025: WTO/99, Family Album, Land With No Rider
What to Watch on Netflix: March 2025
A Goodbye to Two Legends: Roberta Flack and Jerry Butler
A Mathematical Explanation of What is Going to Win Best Picture This Year
Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard
