Blog Posts That Mention To
AMC Turns “Interview With a Vampire” Into the Delicious, Malicious “The Vampire Lestat”
Sherin Nicole
Historic Franchise Finds New Life in Wildly Entertaining “007 First Light”
Brian Tallerico
Short Films in Focus: Patient (with Director Lori Felker)
Collin Souter
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Brian Tallerico
Cannes 2026: Elephants in the Fog, Yesterday, The Eye Didn’t Sleep, A Girl’s Story
Isaac Feldberg
Cannes 2026: The Dreamed Adventure, Too Many Beasts, Women on Trial, Che Guevara: The Last Companions
Ben Kenigsberg
I’m Trying to Create Visceral Things: Boots Riley on “I Love Boosters”
Robert Daniels
Cannes 2026: Clarissa, Atonement, Butterfly Jam
Brian Tallerico
“Dutton Ranch” Keeps the Barn Doors Open for the “Yellowstone” Franchise
Richard Roeper
A Fond Farewell to Our Critic Monica Castillo
The Editors
“Unconditional” Brings Moral Questions to a Mother’s Love
Cristina Escobar
“The Terror: Devil in Silver” Fails to Earn a Spot on the Medal Podium
Brian Tallerico
Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance
Sherin Nicole
BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
Lacy Baugher
Short Films in Focus: Sound and Color (with Director Emma Foley)
Collin Souter
An Invitation to a Film Party: The 13th Annual Chicago Critics Film Festival
Brian Tallerico
Criterion Venerates Three Essential Works of ’90s Black Cinema with “John Singleton’s Hood Trilogy”
Robert Daniels
Male Directors Can’t Stop Making Movies About Female Pop Stars
Tim Grierson
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
Matt Zoller Seitz
The Eight Best Episodes of Netflix’s “Untold” Series, Ranked
Brian Tallerico
Volume Six of Netflix’s “Untold” Offers More Digestible Breakdowns of Sports Scandals
Richard Roeper
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
Matt Fagerholm
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
Zachary Lee
Netflix’s “Big Mistakes” Starts Off Feeling Small but Settles into Its Best Self
Brian Tallerico
RogerEbert.com Contributor, Renowned Film and Television Journalist Richard Roeper Joins the NBC News 5 Team
The Editors
Hope-Core: Daniel Pemberton on Composing “Project Hail Mary”
Nell Minow
Hulu’s “The Testaments” Returns to Gilead For Another Timely Tale About Privilege and Complicity
Lacy Baugher
“Help Me To Find Kokumo”: A Guide To Beyond Chicago
Peter Sobczynski
Shuffling and Whittling and Experimenting: Austin Keeling and Lam T. Nguyen on Editing the Told-on-Screens Film “Mercy”
Nell Minow
“Daredevil: Born Again” Stays Blind to the Cultural Moment in Season 2
Rendy Jones
Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
Chaz Ebert
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
Jen Chaney
SXSW 2026: Imposters, Sender, Monitor
Brian Tallerico
SXSW 2026: Black Zombie, Serling, Stormbound
Brian Tallerico
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
Zachary Lee
12 Films We Can’t Wait to See at the SXSW Film Festival
Brian Tallerico
Netflix’s “One Piece” Sails Into the Grand Line with a Swashbuckling Season 2
Clint Worthington
Why Ryan Coogler Should Win Best Director for “Sinners”
Daniel Joyaux
S. Epatha Merkerson, Danielle Brooks, More To Be Honored at 2026 Annual Black Women Film Network Summit
The Editors
A Beautiful Day for a Neighbor: Tom Noonan (1951-2026)
Matt Zoller Seitz
Dwight Cleveland on What Lobby Cards Tell Us About Film History
Nell Minow
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
Laura Emerick
Monstrous Women: From Medusa to the Bride and Rumi Too
Sherin Nicole
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
Marya E. Gates
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
Nandini Balial
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket
Michelle Jaworski
“RJ Decker” Successfully Brings Whimsy to Network Procedural
Cristina Escobar
Introduction to Women Writers Week 2026
Chaz Ebert & Nell Minow
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
Brian Tallerico
The Play’s the Thing with MGM+’s Charming Ode to the Theater, “American Classic”
Richard Roeper
All’s Well that Ends Well in Part Two of “Bridgerton”’s Fourth Season
Sherin Nicole
Christy Lemire Bids a Fond Farewell to RogerEbert.com
The Editors
CBS’s “CIA” Refuses to Read the Room
Cristina Escobar
Season 2 of “The Last Thing He Told Me” Is the Last Thing You’ll Want to Watch
Cristina Escobar
ABC’s “Scrubs” Returns to Network TV as if It Never Clocked Out
Brian Tallerico
Highlights of Roger Ebert on Black Filmmakers for Black History Month
Nell Minow
Love and Monsters: Three Films to Enjoy on Valentine’s Day
Chaz Ebert
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
Clint Worthington
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
Kaiya Shunyata
It All Starts With the Meditation App: Bart Layton on “Crime 101”
Zachary Lee
Season 2 of Prime Video’s “Cross” Fails to Reach New Heights
Kaiya Shunyata
Stop By Peacock’s “The Burbs” for People Watching and Murder
Sherin Nicole
Jump Into the Abyss: Óliver Laxe and Sergi López on “Sirât”
Zachary Lee
Sundance 2026: Knife: The Attempted Murder of Salman Rushdie, To Hold a Mountain, Gail Daughtry and the Celebrity Sex Pass
Brian Tallerico
Sundance 2026: BURN, zi, How to Divorce During the War
Brian Tallerico
Sundance 2026: Shame and Money, Lady, Everybody to Kenmure Street
Robert Daniels
Sundance 2026: American Doctor, American Pachuco, Barbara Forever
Monica Castillo
Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream
Zachary Lee
Turns and Tonal Shifts: Jason Biggs and Meaghan Rath on “Untitled Home Invasion Romance”
Nell Minow
Can “Bridgerton”‘s New Cinderella in Silver Rekindle the Fairytale in Season 4?
Sherin Nicole
Sundance 2026: Big Girls Don’t Cry, Hold Onto Me, Tell Me Everything
Marya E. Gates
Sundance 2026: The Shitheads, The History of Concrete, The Invite
Brian Tallerico
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Brian Tallerico
Apple TV’s Excellent “Shrinking” Continues to Find Humor in the Heartache
Brian Tallerico
2026 Sundance Preview: 20 Films We Can’t Wait to See
Brian Tallerico
“Agatha Christie’s Seven Dials” Will Send Your Snooze Button Into Overdrive
Nandini Balial
A Tribute to Former FCC Chair and Media Champion Newton Minow
Nell Minow
The Thrills Can’t Be Stopped in “Hijack” Season 2
Sherin Nicole
“A Thousand Blows” Lands Another One-Two Punch of Victorian Intrigue in Season 2
Clint Worthington
Chaz Ebert to Guest on Steve Dale’s Booth 46 Podcast Live at Petterino’s
Chaz Ebert
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
Isaac Feldberg
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
Marya E. Gates
A Brilliant Actor and Even Better Person: Isiah Whitlock Jr. (1954-2025)
Brian Tallerico
40 Shows We Can’t Wait to Watch in 2026
Brian Tallerico
40 Movies We Can’t Wait to See in 2026
Brian Tallerico
“Stranger Things” Hurtles to Its Series Finale with Second Volume of Fifth Season
Brian Tallerico
Emily in Paris Season 5, but It’s Rome (Where She Wants To)
Sherin Nicole
Two Thumbs Up! The Individual Top Tens of 2025
The Editors
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
The Editors
Welcome to the Family Captures Chaos & Coolness of One of Hollywood’s Most Memorable Franchises
Brian Tallerico
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Brian Tallerico
Short Films in Focus: Off the Face of the Earth (with Michael Pantozzi)
Collin Souter
Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”
Kaiya Shunyata
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Brian Tallerico
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
Matt Fagerholm
A Wall of Laughter: Edie Baskin on Photographing the First 25 Years of Saturday Night Live
Nell Minow
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
Richard Roeper
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
Zachary Lee
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
Katie Rife
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
Zachary Lee
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