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“Elle” Does Its Best to Smell Like Teen Spirit
Filmspotting Fest Returns to Chicago This Weekend
Out of the Mouths of Cutlery: Tony Hale on “Toy Story 5”
J. Christopher Hamilton on Culture, Capital, and Creative Leverage
To Make People Aware of Something is Great: A Conversation with Maya Cade
From My Block to Wakanda: Movies and Black Travel
Intro to Black Writers Week 2026
Deborah Nadoolman Landis Pays Tribute to Costume Design Legend Albert Wolsky
Bentonville Film Festival 2026 Preview
AMC Turns “Interview With a Vampire” Into the Delicious, Malicious “The Vampire Lestat”
Historic Franchise Finds New Life in Wildly Entertaining “007 First Light”
Short Films in Focus: Patient (with Director Lori Felker)
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Cannes 2026: Elephants in the Fog, Yesterday, The Eye Didn’t Sleep, A Girl’s Story
Cannes 2026: The Dreamed Adventure, Too Many Beasts, Women on Trial, Che Guevara: The Last Companions
I’m Trying to Create Visceral Things: Boots Riley on “I Love Boosters”
Cannes 2026: Clarissa, Atonement, Butterfly Jam
“Dutton Ranch” Keeps the Barn Doors Open for the “Yellowstone” Franchise
A Fond Farewell to Our Critic Monica Castillo
“Unconditional” Brings Moral Questions to a Mother’s Love
“The Terror: Devil in Silver” Fails to Earn a Spot on the Medal Podium
Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance
BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
Short Films in Focus: Sound and Color (with Director Emma Foley)
An Invitation to a Film Party: The 13th Annual Chicago Critics Film Festival
Criterion Venerates Three Essential Works of ’90s Black Cinema with “John Singleton’s Hood Trilogy”
Male Directors Can’t Stop Making Movies About Female Pop Stars
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
The Eight Best Episodes of Netflix’s “Untold” Series, Ranked
Volume Six of Netflix’s “Untold” Offers More Digestible Breakdowns of Sports Scandals
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
Netflix’s “Big Mistakes” Starts Off Feeling Small but Settles into Its Best Self
RogerEbert.com Contributor, Renowned Film and Television Journalist Richard Roeper Joins the NBC News 5 Team
Hope-Core: Daniel Pemberton on Composing “Project Hail Mary”
Hulu’s “The Testaments” Returns to Gilead For Another Timely Tale About Privilege and Complicity
“Help Me To Find Kokumo”: A Guide To Beyond Chicago
Shuffling and Whittling and Experimenting: Austin Keeling and Lam T. Nguyen on Editing the Told-on-Screens Film “Mercy”
“Daredevil: Born Again” Stays Blind to the Cultural Moment in Season 2
Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
SXSW 2026: Imposters, Sender, Monitor
SXSW 2026: Black Zombie, Serling, Stormbound
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
12 Films We Can’t Wait to See at the SXSW Film Festival
Netflix’s “One Piece” Sails Into the Grand Line with a Swashbuckling Season 2
Why Ryan Coogler Should Win Best Director for “Sinners”
S. Epatha Merkerson, Danielle Brooks, More To Be Honored at 2026 Annual Black Women Film Network Summit
A Beautiful Day for a Neighbor: Tom Noonan (1951-2026)
Dwight Cleveland on What Lobby Cards Tell Us About Film History
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
Monstrous Women: From Medusa to the Bride and Rumi Too
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket
“RJ Decker” Successfully Brings Whimsy to Network Procedural
Introduction to Women Writers Week 2026
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
The Play’s the Thing with MGM+’s Charming Ode to the Theater, “American Classic”
All’s Well that Ends Well in Part Two of “Bridgerton”’s Fourth Season
Christy Lemire Bids a Fond Farewell to RogerEbert.com
CBS’s “CIA” Refuses to Read the Room
Season 2 of “The Last Thing He Told Me” Is the Last Thing You’ll Want to Watch
ABC’s “Scrubs” Returns to Network TV as if It Never Clocked Out
Highlights of Roger Ebert on Black Filmmakers for Black History Month
Love and Monsters: Three Films to Enjoy on Valentine’s Day
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
It All Starts With the Meditation App: Bart Layton on “Crime 101”
Season 2 of Prime Video’s “Cross” Fails to Reach New Heights
Stop By Peacock’s “The Burbs” for People Watching and Murder
Jump Into the Abyss: Óliver Laxe and Sergi López on “Sirât”
Sundance 2026: Knife: The Attempted Murder of Salman Rushdie, To Hold a Mountain, Gail Daughtry and the Celebrity Sex Pass
Sundance 2026: BURN, zi, How to Divorce During the War
Sundance 2026: Shame and Money, Lady, Everybody to Kenmure Street
Sundance 2026: American Doctor, American Pachuco, Barbara Forever
![Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream](https://www.rogerebert.com/wp-content/uploads/2026/01/Aanikoobijigan_ancestor_great_grandparent_great_grandchild-Still_1-256x144.jpg)
Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream
Turns and Tonal Shifts: Jason Biggs and Meaghan Rath on “Untitled Home Invasion Romance”
Can “Bridgerton”‘s New Cinderella in Silver Rekindle the Fairytale in Season 4?
Sundance 2026: Big Girls Don’t Cry, Hold Onto Me, Tell Me Everything
Sundance 2026: The Shitheads, The History of Concrete, The Invite
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Apple TV’s Excellent “Shrinking” Continues to Find Humor in the Heartache
2026 Sundance Preview: 20 Films We Can’t Wait to See
“Agatha Christie’s Seven Dials” Will Send Your Snooze Button Into Overdrive
A Tribute to Former FCC Chair and Media Champion Newton Minow
The Thrills Can’t Be Stopped in “Hijack” Season 2
“A Thousand Blows” Lands Another One-Two Punch of Victorian Intrigue in Season 2
Chaz Ebert to Guest on Steve Dale’s Booth 46 Podcast Live at Petterino’s
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
A Brilliant Actor and Even Better Person: Isiah Whitlock Jr. (1954-2025)
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
“Stranger Things” Hurtles to Its Series Finale with Second Volume of Fifth Season
Emily in Paris Season 5, but It’s Rome (Where She Wants To)
Two Thumbs Up! The Individual Top Tens of 2025
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Welcome to the Family Captures Chaos & Coolness of One of Hollywood’s Most Memorable Franchises
