Try as she might, Zellweger’s Judy never goes beyond an impression of the multi-talented artist; her all-caps version of acting failing to allow the role…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A reappreciation of Ridley Scott's Hannibal.
An interview with the director Piercing and an examination of its influences.
Over two dozen underrated horror movies for your Halloween marathon planning.
A dispatch on two of the final Cannes competition films of 2018.
On three of the best films from this year's Fantasia Festival in Montreal.
A tribute to the great Mario Bava, whose films will be shown at the Quad starting today.
A look at how Detroit has become the backdrop for horror directors over the last few years and what it says about the city.
An interview with director Joe Dante about "The Movie Orgy" and his film series currently running at BAMcinématek.
Eight films to check out before Guillermo Del Toro's "Crimson Peak" comes out Friday.
An obituary for the great Christopher Lee.
Arrow has released a special Steelbook DVD of Mario Bava’s “Blood And Black Lace”.
A piece on the horror offerings of TIFF 2014, including "Spring," "Cub," and "The Editor."
Selected films available now on Blu-ray.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
Marie writes: I love photography, especially B/W and for often finding color a distraction. Take away the color and suddenly, there's so much more to see; the subtext able to rise now and sit closer to the surface - or so it seems to me. The following photograph is included in a gallery of nine images (color and B/W) under Photography: Celebrity Portraits at the Guardian."This is one of the last photographs of Orson before he died. He loved my camera - a gigantic Deardorff - and decided he had to direct me and tell me where to put the light. So even in his last days, he was performing his directorial role perfectly, and bossing me around. Which was precious." - Michael O'Neill
Orson Welles, by Michael O'Neill, 1985
The Grand Poobah is still working away on his memoirs from his quiet retreat in Harbour Country, Lake Michigan and where last week, we caught glimpse of Roger's assistant Carol Iwata, visiting the soda fountain at Schlipp's Pharmacy in Sawyer for a chocolate milkshake. Leading me to wonder "exactly where is that milkshake?" See map. Smile.
Click above to REALLY enlarge...
UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)