An essay about James Ivory's "A Room with a View," as excerpted from the latest edition of the online magazine, Bright Wall/Dark Room.
A look at the entire career of Daniel Day-Lewis and how his work in "Phantom Thread" feels like the perfect finale.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
The latest and greatest on Blu-ray, DVD, and streaming including "Magic Mike XXL," "The Duke of Burgundy," "The Connection," and three Criterion releases.
"35 Shots of Rum". Two couples live across the hall in the same Paris apartment building. Neither couple is "together." Gabrielle and Noe have the vibes of roommates, but the way Lionel and Josephine love one another, it's a small shock when she calls him "papa." Lionel (Alex Descas) is a train engineer. Jo (Mati Diop) works in a music store. Gabrielle (Nicole Dogue) drives her own taxi. Noe (Gregoire Colin) claims only his much-loved cat is preventing him from moving to Brazil.
The prospect of filming "Waiting for Godot" has always fascinated me. Can film do it any justice? Better yet, will it even translate well on film? I believe it could work. However, it depends on who adapts the screen adaptation. I'm not talking about a re-imagining but a direct adaptation. I cannot see anything being changed in "Waiting for Godot" because if anything is changed it will not be Samuel Beckett's "Waiting for Godot" but [Director's Name]'s "Waiting for Godot."
Still, if nothing is changed, it still doesn't mean it will work as a motion picture. Some of the greatest works of literature have been adapted to the silver screen with a faithful structure and direct character quotations, only to fail miserably. Take Henry James' "The Europeans" for example. The novel is a perfectly enriched with interesting characters trying to adapt in a sudden clash of cultures.
CANNES, France -- Since my last dispatch I have seen nine films, four of them more than three hours long, bringing my Cannes total to 16 movies in six days. I feel like the hero of "A Clockwork Orange," who had his eyelids propped open with toothpicks while cinema was force-fed into his brain.
CANNES, France -- I am sure that the opening of this year's Cannes Film Festival will be a night to remember, but I will not remember it, because I will be elsewhere. I will not attend the inaugural screening of Roland Joffe's "Vatel," even though it does star Gerard Depardieu and Uma Thurman, and even though I am invited to the party afterward.