For Your Consideration
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Guest Movie Reviews
Blog Posts That Mention Guest
Cannes 2025 Video #5: Chaz Ebert on “Nouvelle Vague” and “Highest 2 Lowest”; Interviews with Elizabeth Guest and Filmmakers of “Average White Band”; Nicole Kidman on Women in Motion Award
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
Cannes 2023 Video #9: Nicholas Guest on Fallen Leaves, Monster, Strange Way of Life and More
Ebertfest 2023: Festival Closes with Guests Lawrence Bender, Mykelti Williamson, Michael Barker and More!
Ebertfest 2023 Announces Full Lineup Including Guests Lawrence Bender, Mykelti Williamson, Michael Morris and More
Ebertfest Announces First Slate of Films, Guest Frank Oz and Theme of “Empathy at the Movies”
58th Chicago International Film Festival Announces Full Line-Up, Premieres, Special Guests and More
Meet the Guest Editors of Black Writers Week 2022
Meet the Guests of Ebertfest 2022
Cannes 2019 Video #8: Justice Singleton, Elizabeth & Pamela Guest and the Ebert Fellows
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Ebertfest 2018 Guests: Critical Mass
Ebertfest 2018 Guests: Part II
Ebertfest 2018 Guests: Part I
Ebertfest Announces Five Films, Special Guests For 2016 Festival
You Have to Kill the Judge: Parker Posey on “Irrational Man,” Woody Allen and Christopher Guest
The Unlucky Ones: Dan Stevens, Adam Wingard and Simon Barrett on “The Guest”
Telluride focuses on ’28 classics, guest favorites
Cannes 2025 Video #9: Wrap Up
Cannes 2025: Table of Contents
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
Highlights from the 2025 MUBI Fest Chicago
Seth Rogen’s Clever “The Studio” Skewers Hollywood with Love
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
I Think Of Them As The Work: Gene Hackman (1930-2025)
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
A Preview of the 2025 Rendez-Vous with French Cinema
Noah Wyle Anchors Intense, Effective Max Medical Drama “The Pitt”
Chaz Ebert on the Slate Podcast “Death, Sex & Money”
A Voice from the Great Unconscious: Tony Todd (1954-2024)
VOTE for KAMALA HARRIS/TIM WALZ (Character Counts)
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
Iowa City Celebrates with Enriching Pair of Festivals
Apple TV+’s “Shrinking” Really Starts Putting the Pieces Together in Second Season
His Own Way: John Amos (1940-2024)
HBO’s “The Franchise” Takes Satirical Aim at the MCU
Chaz Ebert, CEO of RogerEbert.com, Makes Directorial Debut with “Wellness Warrior”
Fantastic Fest 2024: The Fall, The Birthday, Wake in Fright
Hulu’s “Only Murders in the Building” is Less Cozy, Still Fun
The Adams Family Gets Goopy in Hell Hole
Conversation Piece: Phil Donahue (1935-2024)
The Most Vital Actress of Her Generation: A Goodbye to Gena Rowlands
SDCC 2024: Back Bigger and Better
The Ouray Film Festival Creates Encouraging Space for Art
Anchorman Wouldn’t Have Been Nearly as Great Without Christina Applegate
“This Is The Life, Isn’t It?” Martin Mull: 1943-2024
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
Marvel’s Black Villain Era
What is the Dune of Your Dreams: Holding Time and Space for Quinta, Ego, Maya, Kristen, Michelle, and Renée
The LightReel Film Festival Finishes Strong
Introduction to Black Writers Week 2024
Cannes 2024 Video #9: Festival Wrapup
We Are Lady Parts is TV at its Finest
Netflix’s Tires Should Have Fans of Shane Gillis Rolling
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Meanwhile in France…Cannes to Be Specific
Driven By Love and Necessity: An Interview With Lily Gladstone
