City Of Ghosts
Written by
Dillon
Dillon Movie Reviews
Blog Posts That Mention Dillon
Interview with Matt Dillon
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
It’s Physical Work: Barry Jenkins on The Underground Railroad
Ape Shall Not Kill Ape: A Look at the Entire Apes Franchise
Home Entertainment Guide: March 2024
Max’s Bookie isn’t a TV Comedy Bet Worth Taking
Magnolia: One Day in the Valley
Great Cast Elevates Inconsistent High Desert on Apple TV+
A Look Back at Tribeca 2022: The Narrative Features
Taylor Sheridan Taps the American Mine of Toxic Masculinity for Mayor of Kingstown
2021 Chicago Critics Film Festival Preview
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
Telluride Film Festival Announces Full 2021 Program Lineup
Send It Back: How Roadrunner Fails Anthony Bourdain
I Will Not Forget You: Barry Jenkins on The Underground Railroad
SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking
Cannes Flashback: BlacKkKlansman, Fahrenheit 451 and More
Femininity and OCD in Swallow
A Preview of the 2020 Rendez-Vous With French Cinema
Ebertfest Announces Kathryn Bostic and the Opening and Closing Night Films for 2020 Festival
Stephen Dorff Heads First New Show of the Decade in FOX’s Deputy
The Lost Souls of Joaquin Phoenix
Tribeca 2019: After Parkland, 17 Blocks
Roma, Vice, Black Panther Win Big at 24th Critics’ Choice Awards
The House That Lars von Trier Built, and That I Live In
25 Underrated Horror Films For Halloween
Bright Wall/Dark Room August 2018: Women, Aliens, and Dangerous Things: Female Bodies in Alien 3 by Sarah Welch
If I Had an Emmy Ballot 2018
Cannes 2018 Video #4: BlacKkKlansman, Fahrenheit 451 and More
Cannes 2018: The House That Jack Built, At War, Asako I & II
Cannes 2018: Lars von Trier returns to Cannes with The House That Jack Built
Ebertfest 2018 Guests: Part I
Showtime’s Billions Maintains Creative, Clever Energy
The History of Hollywood’s Difficult Women
The Master Lets Go: On the Career of Daniel Day-Lewis
Man on the Outside: The Films of Willem Dafoe
If I Had an Emmy Ballot 2017
Francis Ford Coppola’s “Rumble Fish” Reigns on Criterion Blu-ray
Garry Marshall: 1934 – 2016
The New American Wanderers of “True Detective,” “Preacher,” “Outcast”
FOX Drags Viewers Kicking and Screaming Back to “Wayward Pines”
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Thumbnails 5/28/15
The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
Trip to FOX’s “Wayward Pines” Justified For Patient Viewers
Ebertfest Profiles: Sketches of the 2014 Audience
Why ‘Crash’? Some theories…
Mixed moral messages
‘Crash’: Misguided and dangerous
Had to pop three Advil
‘Crash’: Black, white gray
A thriller unlikely to be enjoyed by moviegoer Rod Blagojevich
The directness and clarity of a young generation
Indie Spirit Awards pitch a big tent
Readers clash over ‘Crash’
‘Crash’ owes a debt to Dickens
In the movies’ `Roberts formula,’ money can buy love
The Best 10 Movies of 1989
The Best 10 Movies of 1987
Preview: Close Encounters of the Third Kind
LAFCA: There Will Be… more 2007 critics awards
Scanners’ 2007 Exploding Head Awards (Part 1)
The Master: Who are you?
Making contact: Spielberg’s Close Encounters and E.T.
Prof. Cozzalio’s take-home pop quiz is due!
Pearl Jam at 20: American Masters? Yes.
Movies that are made for forever
The best train set a boy could ever want
‘Brokeback’ leads nominations
List of nominees
Ebert’s Oscar predictions (2006)
Chicago critics choose “Crash”
Guilds pick likely ’05 Oscar noms
Cannes #5: Strong entries raise bar
Autumn is rich in ‘art films’
Toronto fest signals the opening of Good Movie Season
‘Woodsman’ puts Bacon’s chops to test
Coppola looks forward to his own films
Tom Cruise: Color him bankable
Rumble Fishing: Scenes from a Chinese restaurant
Re: ‘Glory,’ ‘Crash,’ ‘Geisha,’ etc.
Movie Answer Man (09/21/1997)
Movie Answer Man (02/25/1996)
