Alfonso Cuarón Movie Reviews
Blog Posts That Mention Alfonso Cuarón
Gravity Turns 10: Alfonso Cuarón’s Obsession with Loss
Ally Johnson
No Longer an Inconceivable Future: The Vision of Alfonso Cuarón’s “Children of Men”
Seongyong Cho
Roger’s Favorites: Guillermo del Toro, Alfonso Cuarón and Alejandro González Iñárritu
The Editors
The Best Films of the 2010s: Roma
Monica Castillo
A Writer Watches Roma in Mexico City
Gerardo Valero
NYFF 2018: Roma, Her Smell, The Ballad of Buster Scruggs, At Eternity’s Gate
Godfrey Cheshire
Venice Film Festival 2018: The Mountain, Roma
Glenn Kenny
Contrarianism Blog-a-Thon: Let the perversity begin!
Jim Emerson
Locarno Film Festival 2024: Wrap-Up of a Special Event
Robert Daniels
58th KVIFF Welcomes Viggo Mortensen, Steven Soderbergh, Clive Owen, And More
Robert Daniels
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Tim Grierson
Short Films in Focus: The Oscar-Nominated Short Films of 2023
Collin Souter
10 Major Snubs and Surprises from the 2023 Oscar Nominations
Daniel Joyaux
I Won’t Know If I’m Coming or Going: Rodrigo García on Nine Lives and His Latest Film, Raymond & Ray
Matt Fagerholm
Meet the Guests of Ebertfest 2022
Chaz Ebert
The Black-and-White Films of the 2021 Award Season
Susan Wloszczyna
Pushing Forward: On the Power of The Disciple
Seongyong Cho
Women Hold Key Positions in Chapel Hill’s Film Fest 919
Sarah Knight Adamson
After Parasite: House of Hummingbird and Other Highpoints of Modern South Korean Cinema
Seongyong Cho
Home Entertainment Guide: February 20, 2020
Brian Tallerico
A Letter to Roger About Michael Apted’s 63 Up
Seongyong Cho
The Best Films of the 2010s
The Editors
NYFF 2019: A Year of Milestones
Godfrey Cheshire
Thumbnails Special Edition: National Hispanic Heritage Month
Matt Fagerholm
Roger Ebert’s Celebration of Hispanic FIlmmakers
The Editors
That Complicated Thing Called Love: On Pawel Pawlikowski’s Cold War
Seongyong Cho
Where the Scene Lives: Alex Thompson and Kelly O’Sullivan on Saint Frances
Matt Fagerholm
Breaking Barriers: Goodbye to John Singleton
The Editors
The Right Side of History: Backstage at the 91st Academy Awards
Matt Fagerholm
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Nick Allen
AAFCA Awards Celebrates Tenth Anniversary, Names Black Panther Best Picture
Chaz Ebert
My Joys and Sorrows of the 2019 Oscar Nominations
Chaz Ebert
The Favourite, Roma Lead 2019 Oscar Nominations
Nick Allen
Roma, Vice, Black Panther Win Big at 24th Critics’ Choice Awards
Sarah Knight Adamson
Backstage at the 2019 Golden Globes
Jana Monji
The Individual Top Tens of 2018
The Editors
Sheila O’Malley’s Top Ten Films of 2018
Sheila O'Malley
Monica Castillo’s Top Ten Films of 2018
Monica Castillo
Tomris Laffly’s Top Ten Films of 2018
Tomris Laffly
Brian Tallerico’s Top Ten Films of 2018
Brian Tallerico
Christy Lemire’s Top Ten Films of 2018
Christy Lemire
Matt Fagerholm’s Top Ten Films of 2018
Matt Fagerholm
The Ten Best Films of 2018
The Editors
My List of Movies to See Before the End of 2018
Chaz Ebert
41st Mill Valley Film Festival to Honor Dr. Stacy L. Smith and Devote 45% of Its Lineup to Films by Women Directors
The Editors
Real-Life Heroes and Star-Driven Films at 2018 Telluride Film Festival
Tomris Laffly
Short Films in Focus: The Cut (La coupe)
Collin Souter
Bright Wall/Dark Room April 2018: The Force that Through the Green Fuse Drives the Flower: On A Little Princess and The Secret Garden by Corbin Dewitt
The Editors
Inclusion Rider: Backstage at the 90th Academy Awards
Matt Fagerholm
Home Entertainment Consumer Guide: March 23, 2017
Brian Tallerico
Recap of the 2016 Los Cabos International Film Festival
Godfrey Cheshire
Roger’s Favorites: A Table of Contents
The Editors
#OscarsSoWhite and Extending Diversity
Jana Monji
Thumbnails 12/3/15
Matt Fagerholm
“The Martian’s” Chances on Planet Oscar
Susan Wloszczyna
Thumbnails 9/24/15
Matt Fagerholm
TIFF 2015: “The Ardennes,” “Desierto,” “Jafar Panahi’s Taxi,” “Victoria,” “Men & Chicken”
Brian Tallerico
The Magic of MAGI: Douglas Trumbull’s Quest to Explore a “New Planet of Cinematic Potential”
Søren Hough
Telluride 2014 Comes to a Close with Breathtaking “Birdman”
Patrick Z. McGavin
Bong Joon-ho: Living Images, Moving Frames
Nelson Carvajal
Thumbnails 5/2/2014
Matt Fagerholm
A New Worldly View: The 30th Chicago Latino Film Festival
Nelson Carvajal
On the Need for a “Harlem Renaissance” for Latino Cinema
Noah Gittell
NBC Wants You to “Believe” While ABC Needs a “Resurrection”
Brian Tallerico
And the Winners Will Be… Our Predictions for the Oscars
Erik Childress
How Much Attention Does BAFTA Deserve in the Oscar Race?
Erik Childress
Guild Awards Keep the Best Picture a Horserace
Erik Childress
Guilds Trifecta Could Put the Final Stamp on the Oscars Race
Erik Childress
The Six Questions TV Audiences Will Be Asking in 2014
Brian Tallerico
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