The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look back at my Telluride Film Festival Journal from August 28th to September 1st, 2008
In light of Polish director Andrzej Wajda's recent passing, an alphabetical list of his ten best films.
A report on the unique viewing experiences of seeing "Ixcanul" and "Heart of a Dog" at Telluride.
The legacy and impact of Roger Ebert will forever be a part of the Telluride Film Festival, which hosted a screening of "Life Itself" this year.
Q. I guess I saw a different movie from you, but "The Informant!" movie offended in the worst way -- it was boring! Matt Damon was boring, the dialogue was boring, the direction was boring. You need to curb your crushes on movie stars and start critiquing movies again based on their merits, not on how much your heart throbs. After giving this piece of crap four stars, you have lost all credibility. I wrote my newspaper, suggesting they drop you and rehire the local movie reviewer who recently lost his job. You aren't worth the money they pay.
TELLURIDE, Colo. -- It's a combination of a film festival and a ski weekend, greatly improved by the absence of snow. Moviegoers at this year's 26th Telluride Film Festival can take the ski lift to the top of the mountain, but what they find there is a little unexpected: the Chuck Jones Cinema, named for the animator who brought Bugs Bunny and Wile E. Coyote to life.
Most film festivals trumpet their offerings, bragging about their premieres and stars. The Telluride Film Festival, which begins Thursday, treats its films like a poker player treats his hole cards. One imagines Bill Pence and Tom Luddy, the co-founders, looking at the programs from Montreal, Toronto and Venice, and sneaking another peek at their hands.
Q. In your review of "Independence Day," referring to the gigantic alien space craft, you write: "an object that size in near-Earth orbit might be expected to cause tidal waves." Tidal waves, or tsunamis, are caused by sudden earth movement, not extraterrestrial objects. However, a craft one-fourth the mass of the moon, if at the same distance as the moon, would result in tides (not tidal waves) approximately 25% above normal--not fun but tolerable. If the mother ship were located one-half the distance of the moon, tidal influence of the ship would be equal to that of the moon. BUT, its orbital speed would be substantially faster, resulting in wild tides. The closer the object, the worse the effect. If the object were in close earth orbit, it wouldn't need "death rays" to destroy cities; since most major cities are seaports, they would be ravaged by wild tides. I suspect this is what you meant and it is a excellent point. (Richard George, San Jacinto, Ca.)
Though I've never personally experienced the Tingler or Ghost-a-Rama, my life as a moviegoer has touched on most of the other legendary film gimmicks.
DALLAS -- "Oklahoma!" opens with one of the most familiar moments in all of musical comedy, as a cowboy comes singing out of the dawn, declaring "Oh, What a Beautiful Morning!" I've seen that moment many times, and it never fails to thrill me, but I've never seen it quite as I saw it here last Monday night, when the movie played during the USA Film Festival.
Carmine Coppola's hand plunged into his coat pocket and emerged with a yellow Western Union envelope.
When the lights are placed just so on the conductor's podium in the orchestra pit of Radio City Music Hall, they cast a giant shadow of the conductor onto the ceiling of the enormous room. Sitting in the darkness, you can look up and see his arms beating time and his coattails flying, and then you can look down at the screen again, its silent images surrounded by the music.