Seeing Lopez’s best screen work since her early heyday of Selena and Out of Sight isn’t the only reason to check out writer/director Lorene Scafaria’s…
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.
Chaz is the Publisher of RogerEbert.com and a regular contributor to the site, writing about film, festivals, politics, and life itself.
Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine, the creator of many video essays about film history and style, a finalist for the Pulitzer Prize in criticism, and the author of The Wes Anderson Collection. His writing on film and TV has appeared in The New York Times, Salon, New York Press, The Star-Ledger and Dallas Observer. (Banner illustration by Max Dalton)
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois in Champaign-Urbana, Illinois.
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
The first theatrical feature film written and directed by David Chase, the creator of “The Sopranos,” this is an autobiographical tale about the formation of an artistic sensibility. John Magaro plays Doug Damiano, a northern New Jersey teenager whose father Pat (James Gandolfini) is a hot-tempered Archie Bunker-style reactionary who suffers from psoriasis, and whose mother Antoinette (Molly Price) is a depressive who regularly threatens to kill herself. The movie is narrated by Doug’s sister Evelyn, played by Meg Guzulescu, in the manner of a third-person novel, packing a television season’s worth of incident into an hour and 50 minutes yet somehow never feeling rushed.
An article about the inclusion of Sojourner Truth on Central Park's suffragette statue.
Underrated in the manner of so many Steven Spielberg historical dramas, “The Post” is a journalism thriller that doubles as a stealth portrait of the media’s responsibility in the age of Trump.
From a childhood of pain, a lifetime of art.
When I was a college student in Dallas in the 1980s, my favorite theater was the Big Town, which showed second-run movies for a dollar. It was located in a small, run-down mall that probably hadn’t been thriving for 10 years. By the time I started going there, there were potholes and canyon-sized cracks in the parking lot that were never going to be fixed, so you just made a mental note to drive around them. Most of the storefronts were boarded up, and the handful of spaces that were occupied were Mom and Pop businesses. There were people in the parking lot on the way in selling churros and pralines and BBQ they’d cooked in the backs of pickup trucks. One time a chicken got loose and ran through the mall. Kids chased it like it was Rocky Balboa in a training montage.
Appreciating the art of one of the greatest documentary filmmakers.
An article celebrating the one-year anniversary of our first female editor at RogerEbert.com, Nell Minow.
Our monthly series on underrated films turns to a movie about Russians.