Liminal Spaces, Transitional States: Alexander Ullom on “It Ends”
The young director talks about the Gen-Z angst that undergirds his new horror classic.
The young director talks about the Gen-Z angst that undergirds his new horror classic.
Four wide-ranging films playing Locarno.
The filmmaker discusses returning to documentary work about Boeing’s malfeasance and the flaws of the airline industry.
A look at the daring retrospective program from this year’s Locarno.
A new 3D platformer drops to remind players what they love about the genre.
Another annual trip around the drive-ins of the Midwest, and the charms contained therein.
Two competition gems and a major whiff playing Locarno.
On three films from this year’s festival that grapple with mortality.
Audience members attending the main stage performance on closing night of the Atlanta Black Theatre Festival are in for a serious treat.
A show that, befitting its characters who can create something out of thin air, is never quite what you think it’s going to be.
The actors talk about smoking, addiction, recovery, and how their previous roles informed their latest drama.
On three elusive films from this year’s festival.
Reminds one why the workplace comedy remains such a tried-and-true format, especially when it’s populated by people who feel real.
On Cronenberg’s auto-eroticism three decades on, and how it matches his career-long preoccupation with sex and death.
An ode to the violent grief of cinema’s most dogged assassin.
“Reacher” enhances all the elements that action-thriller fans love about the series, using its tropes and style to peak effect.
Thank God that “Sunny” is still funny.
The team behind “Super Troopers 3” on its production, and their legacy.