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Q&A: Clinton on movies

This is the transcript of my conversation with Bill Clinton on December 18, 1999. There was a little chat before this where as we were being miked. Clinton talks about the AFI list of the top 100 movies and then…

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TIFF 08: The Divine and the "Religulous"

The only real blasphemies in Bill Maher's anti-religion documentary, "Religulous," are that it's not terribly smart and only sporadically funny. Three or four big laughs, a lot of snide, pompous misfires and innumerable fish-in-a-barrel potshots do not make for much…

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TIFF 08: The Wrestler: Aronofsky + Rourke = Sweetness

What a sweet little movie "The Wrestler" is. Warm. Endearing. Really nice. This may be the first time adjectives like these have been applied to the work of Darren Aronofsky ("Pi," "Requiem for a Dream," "The Fountain") or Mickey Rourke…

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TIFF 08: The buzz and the poop

It's the question you dread, at least from total strangers, but it's unavoidable at a film festival -- kind of like "What's your major?" in college: "Seen anything you like?" My dulled response while immersed in this cinematic maelstrom (my…

Festivals & Awards

Fest explodes with great films

TORONTO — First the long windup. Then the fast pitch. The Toronto International Film Festival, always front-loaded, exploded over the weekend with movies day and night, all over town, every audience movie-savvy, every theater selling bran muffins right next to…

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TIFF 08: Con artistry in Bloom

It seems appropriate that the first screening I attended for the 2008 Toronto International Film Festival should be a movie about stories and con games: "The Brothers Bloom," written and directed by Rian Johnson, maker of "Brick," one of my…

Festivals & Awards

Who wants to be a slumdog?

TORONTO, Ont.--Danny Boyle's "Slumdog Millionaire" hits the ground and never stops running. After its first press screening early Saturday morning, it became a leading contender for the all-important Audience Award, which is the closest thing the Toronto Film Festival has…

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TIFF 08: The Coens Who Came In From the Cold

In a Coen Brothers movie every pause and stutter, every "um" and grammatical (mis-)construction, every repetition and idiosyncratic pronunciation, is inscribed like a note on a musical staff. The composer-conductors write the music, indicate the pitch, tempo and duration of…

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TIFF 08: What are you looking at?

A winter afternoon. A man walks down a muddy village backstreet with his shoulders hunched against the chill, accompanied by what could be industrial noise or a string score. Whatever it is, it evokes tension and anxiety. The catches the…