John Lee Hancock on “Saving Mr. Banks”
Director John Lee Hancock on the challenges of making a film about Walt Disney for Disney.
Director John Lee Hancock on the challenges of making a film about Walt Disney for Disney.
Sandra Bullock’s character in “Gravity” defies the norms of female characters in Hollywood films.
“Life Itself,” the documentary about Roger’s life inspired by his memoir, will play at the Sundance Film Festival.
Joyce Kulhawik considers what message she would give to her younger self.
Anne Elizabeth Moore considers the straight male perspective behind “Blue Is the Warmest Color.”
Critic Inkoo Kang deems “The Wind Rises” disgraceful; critic Amy Nicholson deems “Saving Mr. Banks” a spoonful of lies; the prison memoir by an African American has been discovered; real 2013 heroines of film; an academy taxonomy.
A.O. Scott says movies aren’t dead; John Waters says kids shouldn’t write to Santa; David Simon says there are two Americas; Keith Phipps says 2013 movies go “boom”; Vulture says movies with “America” in the title go “boom,” too.
Russian Supreme Court declares Pussy Riot sentence unlawful; Erica Huggins appointed new president of Imagine Films; a music critic comes to her senses about R. Kelly; Bette Midler to play Mae West; celebrities’ queasy new publicity machine.
A celebration of A Christmas Story; The Wes Anderson Collection‘s first pan; Abel Ferrara breaks it down for you, pal.
Strong-women movies dominate the box office; Rashida Jones on the pornification of everything; Barbara Stanwyck and her biographer; why “cat lady” is just another sexist dismissal of unattached women; a valentine to the silent film, “Sparrows.”
Links to all the articles by RogerEbert.com’s women writers during this week-long event. Updated daily.
Alyssa Rosenberg considers the women on the big screen and the small screen in the past year.
Peter O’Toole 1932-2013; revisiting the Boston bombings; when Shaft ruled Hollywood; why we need more than three genders; how “Gravity” harkens back to film’s silent era.
This week we’ll be featuring the work of the women who write for RogerEbert.com.
Jemima Bucknell defends the much-maligned HBO show “Ja’mie: Private School Girl,” with it’s drag portrayal of a teenage girl.
Writer, producer and human rights lawyer Paula Kweskin discusses the documentary “Honor Diaries,” now available on DIRECTV’s Audience Channel.
A sensational look at Stephen Sondheim’s career through the lens of six songs.
Nell Minow considers the special place of Barbara Stanwyck among Hollywood’s Leading Ladies.
Our thoughts and prayers are with the family of Nelson Mandela and with the people of South Africa.