Networks Debut Three New Shows: “Battle Creek,” “Last Man on Earth,” “Secrets and Lies”
Our thoughts on three new shows: ABC’s Secrets and Lies, FOX’s Last Man on Earth, and CBS’s Battle Creek.
Our thoughts on three new shows: ABC’s Secrets and Lies, FOX’s Last Man on Earth, and CBS’s Battle Creek.
“Birdman,” “Whiplash,” “The Theory of Everything,” and “Big Hero 6” hit Blu-ray just in time to capitalize on their Oscar wins, along with a complete list of how and when to see all of the 2015 Oscar nominees.
A round-up of reviews for the Blu-ray/DVD release of “Life Itself.”
An interview with star of stage, film, and TV, Colm Feore.
An obituary for jazz musician Clark Terry, the subject of “Keep On Keepin’ On.”
A review of Marquis Daisy’s “Smile” by Chicago Urban League student Matthew Reilly.
An analysis of Lawrence Michael Levine’s “Wild Canaries” and its ties to classic rom-com capers.
Oscars saved by the music; Julie Andrews glows in “Sound of Music”; Films of Michael Mann reassessed; Rise of the reactress; Let’s get out of here.
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.
A recap of the winners at the 87th Academy Awards ceremony.
An FFC looks at the “Taken” saga.
A review of Marquis Daisy’s “Smile” by Chicago Urban League student Brandon Towns.
On how Clint Eastwood’s “American Sniper” examines evil.
A report from the 2015 Film Independent Spirit Awards.
Scout Tafoya and Olivia Collette make the case for Alexandre Desplat’s score for “The Grand Budapest Hotel” to win the Oscar on Sunday with a fantastic video essay.
Oscar predictions and a commentary on the general state of disappointed malaise that seems to overtake Oscar bloggers this time of year.
The RogerEbert.com staff pick for the Best Picture of 2015.
Writer/director Richard Linklater and editor Sandra Adair discuss “Boyhood” as part of the Film Independent Directors Close-Up series.
Destroyed by the Espionage Act; Temple Grandin transcends labels; Hand of a superhero; The success of Harley Quinn; Invention of the heterosexual.
The RogerEbert.com pick for the Best Director of 2014.