Mary and the Witch's Flower
The animators invoke worlds upon worlds in Mary and the Witch’s Flower.
A personal reconsideration of Clive Barker's "Nightbreed" in light of its Blu-ray Director's Cut.
Ian Grey visits Sherlock Holmes, and deduces why Sir Arthur Conan Doyle's detective is perfectly suited to episode television—and endlessly re-inventable.
Ian Grey reviews a screening of "2001: A Space Odyssey" with a live symphony orchestra providing the score.
In its third season, producer Steven Spielberg's "Falling Skies" brought in a new team of writers to rethink the allegorical underpinnings of the show. It worked.
Ian Grey thinks the choice of Peter Capaldi, yet another white male, to play Doctor Who is a symptom of an underlying problem: Showrunner Steven Moffat.
How does screen violence make you feel? What kind hurts, and what kind doesn't? What goes through your mind when you see blood on the screen?
As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishments, Voyager, the most despised object of fanboy loathing in the franchise's history.