Cannes 2016: “The Last Face,” “The Long Night of Francisco Sanctis,” “The Salesman”
Reviews from the Cannes Film Festival of Sean Penn’s “The Last Face,” “The Long Night of Francisco Sanctis” and Asghar Farhadi’s “The Salesman.”
Reviews from the Cannes Film Festival of Sean Penn’s “The Last Face,” “The Long Night of Francisco Sanctis” and Asghar Farhadi’s “The Salesman.”
A review of AMC’s “Preacher,” co-created and directed by Seth Rogen & Evan Goldberg.
Reviews from Cannes of Cristian Mungiu’s “Graduation” and Nicolas Winding Refn’s “The Neon Demon.”
Laura Poitras’s “Risk,” on WikiLeaks, and Paul Schrader’s “Dog Eat Dog,” a noir, have their premieres at the 2016 Cannes Film Festival.
Reviews from Cannes of the latest films from the Dardennes brothers, Behnam Behzadi and Xavier Dolan.
Jeff Nichols brings “Loving” to Cannes; Cherchez la femme; Best of Cannes so far; STX pays $50 million for unmade Scorsese movie; “Mean Dreams” thrills at Cannes.
Three new films from Cannes 2016, including the latest from Pedro Almodóvar.
Simon Abrams and Odie Henderson celebrate the Rudy Ray Moore Blaxploitation classic “Dolemite,” recently released on Blu-ray by the Vinegar Syndrome.
Jason Gorber shares his thoughts on Cannes selections “Loving,” “The Handmaiden,” “Paterson,” and “Toni Erdmann.”
A preview of the 2016 version of the Chicago film lovers’ event, including more than two dozen Chicago premieres.
An interview with director Rebecca Miller about her film “Maggie’s Plan.”
A review of the latest from Olivier Assayas and Jeff Nichols.
An article about the 2016 ILLUMINATE Film Festival in Sedona, Arizona.
Top lessons from Cannes; How Jodie Foster stays real; Rave review of “American Honey”; Apocalyptic air hangs over Cannes; How Cannes turned into a frenzied mammoth.
Reviews of “I, Daniel Blake,” “Sieranevada” and “Staying Vertical.”
Three new films from Cannes 2016, including the latest by Jim Jarmusch.
Ben Kenigsberg introduces the Cannes Film Festival’s sidebars and discusses Pablo Larrain’s “Neruda.”
Three more films from Cannes 2016, including the latest from Park Chan-wook and Andrea Arnold.