Sundance 2022: God’s Country, Emily the Criminal, Resurrection
On three premieres from Sundance, all centering phenomenal performances.
On three premieres from Sundance, all centering phenomenal performances.
On the second half of this year’s Midnights program from the Sundance Film Festival.
A review of the splendid new book by Slate film critic Dana Stevens.
An essay about Wes Anderson’s The French Dispatch, as excerpted from the latest issue of Bright Wall/Dark Room.
A review of the new mystery/comedy series starring Kristen Bell.
A look at the new release timed to the launch of the latest Tom Holland action film.
An article about Brenda Robinson being elected as Chair of Board of Directors at Film Independent.
On three very different docs from Sundance 2022.
On four more films from the U.S. Dramatic Competition program, including two stand-outs.
A review of the new Netflix spy series, In From the Cold.
A dispatch on four docs from the World Documentary program of the 2022 Sundance Film Festival.
A final dispatch from the World Dramatic Competition program that includes four films from around the world.
An interview with the director of Nanny, currently playing in Sundance 2022 U.S. Dramatic Competition program.
A dispatch from Sundance on three documentaries about Kanye West, Agnes Torres, and TikTok.
A dispatch from Sundance on three titles from the festival’s Premieres section.
On three films from the NEXT program, including career-best work from Dale Dickey, the latest from Justin Benson & Aaron Moorhead, and a film from the Biennale College program.
Our first dispatch on the first half of the Midnights program from this year’s Sundance.
On three more competition films from Sundance 2022, all of which center women feeling a sort of alienation from home or even themselves.
A review from Sundance of Ramin Bahrani’s new documentary, 2nd Chance.